futurenobody--disqus
future_nobody
futurenobody--disqus

Maybe it was the crowd at the screening tonight, but this was a painfully funny movie to me, and probably one of the most enjoyable theater experiences I've had. I wouldn't be surprised if, at the appearance of one particular cameo, the theater next to us heard the laughter. Highly recommended.

I don't even recall hearing Cosby mentioned. It's a pretty rapid-fire scene, and if Cosby was mentioned, it was just his name and nothing more. (Pryor and Caplin got explanations for their praise.)

They can now, cus I made up a word!!

Thanks for womansplaining how to look up mansplaining.

Maybe he went to U of I, which would make him a whole different kind of asshole.

I'm loving this pilot. I don't even—

No, I get it. I've read almost every comment on this review and last, and the detractors have made plenty of compelling cases as to why this show sucks all the dicks. But I think for those of us who enjoy the show to varying degrees, there's just a vibe that keeps us interested.

I'm looking forward to when the peanut gallery stops hate-watching/hate-commenting so I can enjoy this big dumb show.

"Ok. So let's hear your most 'haunts-me-till-this-day' junior high story."

That's not how you spoiler alert stuff.

But they could have made the same connection by having Robin stand up first, extend her hand, and Ted chooses to get up on his own. Same message, same camera angles even, but way less god awful.

The concierge at the hotel mispronounced Concord so I hated this episode for that and only that.

Absolutely agree. The change of pace had me hooked from the opening. And though it wasn't on the nose, I did think it was a parody of sorts—I mean, the production was slickened, the dialogue was serious-ified, Eliot's hair was Bauer-ed, and, come on, the early twentieth century influenza? They were having fun with the

Absolutely agree. The change of pace had me hooked from the opening. And though it wasn't on the nose, I did think it was a parody of sorts—I mean, the production was slickened, the dialogue was serious-ified, Eliot's hair was Bauer-ed, and, come on, the early twentieth century influenza? They were having fun with the

Adam Youch didn't just die. It was SABOTAGE.

That just killed me. In an episode that had me in stitches from start to finish, that one got me the most.

You mean this role wasn't a mincing stereotype of a popular news media figure? I get what you mean but it's not like this was some original, fleshed out role for Hayes.

Which would have been so much less exciting than a bloody mary, tomato ice, and a frozen solid foam.

I was sold on this by the trailer all those months ago and the premiere really lived up to my hype for it. As long as he doesn't end up dead for realsies, I'll tune in every week.

Definitely agree with everyone who thought Beckett's breakdown was ridiculous. And, for me, it was just one scene in an episode filled with "oh come on" moments: Castle's daughter identifying the painter (I know she's bright but it smacked of justifying her inclusion in the episode); the therapist's advice at the end,