futureboymaddog
futureboymaddog
futureboymaddog

This is just ballsy and I love the idea of The Rock going up against STAR WARS.

The reason this stuff is getting play on Netflix is because of their promises to their shareholders that they’re going to have (amount X) of original content for their service. From the beginning, they’ve sacrificed quality for quantity, but that changed for a little while as they started putting out some really good

This film is beyond important as far as the history of superhero films. That being said, it’s really a terrible Batman film. It’s a standard late-80's action film plot that somehow became a Batman film. It’s not even a terribly good late-80's action film. The only thing that really works for me is Jack as Joker. He is

ALL the best lines in the film belong to Max Shreck.

This was an amazing, breathtaking moment that is constantly making the hardest-core faction of SW devotees insane. And I love it for both of those reasons.

“its inexplicable Jason Statham baby-face turn”.

Wow... this is fucking shocking. I expect so much more from everyone involved. I literally have no fucking idea why Alfredson, a director who has made some pretty incredible motion pictures, and has assembled a pretty amazing cast, would possibly let Harry Hole’s named be pronounced “Hole” and not the Norwegian

Hot take: it’s actually not cool. But it IS fair game.

I get the love for FAST FIVE over GHOST PROTOCOL; it’s a series that languished in mediocrity and then just exploded with FF, but the sheer inventiveness of GP makes it a modern classic. Brad Bird obviously still thinks he’s making a cartoon and makes the action sequences increasingly absurd and glorious to behold.

As soon as I saw it was Matt Nix AND Amy Acker, I was on board for at least a while, provided it was good. I’ll watch just about anything with Acker, or most of the supporting cast from ANGEL. Hell, I watched an episode of that show FINDING CARTER just to see Alexis Goddamn Denisof again. That’s a dude that needs to

Either this has an amazing script and Fleischer has a very unique vision, or Sony is sailing garbage scows filled with money to these performers’ doors.

Downey Jr has my favorite comedy line delivery of his career in the bar scene.

“And another thing, Vonnegut, I’m stopping payment on the check? Fuck me? You read lips? Fuck YOU! Next time, I’m gettin’ Robert Ludlum!”

Hey, if it didn’t clue you into his creepiness when he gave ATTACK OF THE CLONES a stellar review (this is not counting his reviews of CHARLIE’S ANGELS or BLADE II), this pretty much seals the deal.

I blew through the first season of “The Good Place” in two days a few weekends ago and now it’s officially my first must-see show of the new TV season. It’s possibly a better showcase for Bell’s talent than “Veronica Mars”, it’s a beautifully realized high-concept show, and the twists they parsed out were just... so

So... basically Mark Millar.

Raw is... improving but still has a long way to go. SD Live is terrible right now, but they seem like they’re trying to course-correct. NXT is pretty much THE show. 205 LIVE needs to either be incorporated into Raw or they need to just have it be totally self-contained where there are no Cruiserweight matches on Raw.

I’ve been hoping that they would, someday, release a WWE-based RPG where all of kayfabe is treated as totally realistic and instead of just the put-overs or the heel/face personas were done with most everyone treating this as “everyone knows this is fake now”, we’d actually get to go to fantastical worlds and the

Being part of fandom in this day and age is really something where the silent majority needs to start speaking up more where they see this kind of bullshit. Whether it’s comics or cartoons or television or films, this level of loud toxicity, even if it’s only coming from a minority of fandom, is still just fucking