I sort of blame Subaru for convincing normal people that they “need” AWD just to drive in the rain. Brilliant marketing though.

If more sedans had the ground clearance of the Outback sedan then sedans might be more popular.

Like a house. But a car isn't a house. 700 per month on a car is crazy. 

It’s mind boggling that they couldn’t even make a hybrid version of the Outback. That should be a no-brainer. Especially with their parent company Toyota having all the know-how and parts bin to make hybrids. Even frigging Jeep Wrangler has a PHEV version. Even Mazda- the last holdout, has a PHEV CX-90.

Maybe contrarian take: Subaru is in trouble. It only offers slightly differentiated crossovers (plus the Impreza and Legacy) that they’re working overtime to get every last MPG out of. They used to be in the best MPG fleet wide because they had no trucks and big SUVs but they are woefully behind on adopting even…

Spot on in so many ways.

Correction: Subaru knew it could pander to people’s sense of “I’m a rugged individual”, or their feelings of “I don’t really care what I drive, as long as it’s practical and AWD”, or their satisfaction that a PZEV badge on the back means it’s environmentally friendly even with thoroughly mediocre fuel economy.

I think that is the biggest issue. Marvel movies and shows have a “house style” of filming these days which works for CGI on a movie budget but not on a TV budget. Even a very expensive Disney plus show. Honestly they could have limited how much She-Hulk we got and instead most made it about normal Jen but that…

The hubris iin leaning so heavily on the CGI was kind of staggering and pretty representative of that “free money for everything (except writers)” era of Disney+ productions.

While they may have aced the AWD and Turbo classes, they slept right through the Head Gasket Engineering classes and handed in an origami throwing star for the final project. 

Yeah, they didn’t look, and weren’t cheap. Trying to composite a full CGI mo-cap character onto a real set, with real lighting, is mind bogglingly hard. It’s honestly some of the best I’ve seen. Realize when you see full CGI characters the entire background is usually also CGI, so there’s full control of the best CGI l…

I buy it. My sense is that making a realistic CGI humanoid character is really hard. As viewers, we have really detailed knowledge of how humans move and look, so we’re quick to identify uncanny qualities.

Probably lots of talented actors waiting for roles.

Give me a low-budget cartoon with good voicework of her just doing legal cases and having to hulk out occasionally.

Have it be in the style of 80's/early 90's cartoons, or Harvey Birdman (shamelessly stealing from them of course)/Sealab.

Agree. I wouldn’t call it the best Marvel show, stacked against stuff like Daredevil, Jessica Jones, Loki and WandaVision. But it was definitely the most consistently fun.

It’s cause her twin sisters keep taking all her work. 

She’s being honest. I prefer honesty over posturing any day.

My tinfoil hat is telling me that Secret Invasion was actually written by AI and Sam Jackson and Don Cheadle each got 200 mil for the NDA. 

Tatiana being unable to find a job is one of the great travesties of Hollywood at the moment.

A pity— She-Hulk was by far the Marvel TV series that I most enjoyed watching. It knew the kind of story it wanted to tell, it wasn’t laden down with the baggage of having to advance some sort of cross-property plotline, and Maslany was effortlessly charming in it. I can see how the CGI budget for it must have been…