Shallow shmallow. It's not like they put him in his underpants so we *wouldn't* look at him!
Shallow shmallow. It's not like they put him in his underpants so we *wouldn't* look at him!
It definitely takes three or four episodes to settle in, and the remnants of a subpar CW soap persist beyond that, but it builds very nicely through the first season. I started out grudgingly watching it because I'm hard up for decent sci-fi, but by the end of the season I was genuinely enjoying and looking forward…
Indeed. I was kind of dreading class warfare lady making it to Earth and inserting herself into all the drama down there. But nope, she just crashed and died.
The Raven/Finn/Clarke love triangle was boring almost as soon as it started.
The trial and erroring was pretty tedious early on, but some of it - like watching the camp feel their way through that blood-vomiting disease breakout a few weeks back - was kinda fun, and it seems in general like the writers have figured out that the turf wars and infighting amongst a bunch of children is not the…
I've really enjoyed The 100 so far. I like that it's a relatively serious science fiction story that doesn't gloss over the severity of its premise and doesn't drag its feet too much, has good special effects, gives the adult characters equal footing with the teenagers, and occasionally gets some very pretty boys to…
24 and Longmire: the perfect badass double header.
The four hour cut was just a rough assembly. Scorsese has said repeatedly that it was never intended to be his final cut.
When POI first started, with its emphasis on procedural "salvation of the week" stories, I described it to friends, semi-dismissively, as a redo of Touched by an Angel, only with a computer playing God. It's now one of my favorite shows, but I still think that description is kind of apt.
A perfect example of why FNL is so great, and why it's so hard to get people to watch it - if you just describe the Matt/Shelby/Lorraine stuff, it sounds like a typical soapy storyline, and all you can do is sputter, "But it's really good!"
Agreed - it's actually about building the damned railroad, finally. And the new focus on core (good) characters has been a huge help.
HOW has steadily improved over its run - I think season three is easily its strongest to date - strong enough that I'm actively hoping for its renewal now, whereas in the past I didn't much care either way.