I agree. A lot of episodes deal with the characters encountering (or becoming) other versions of themselves, and Polymorph is among the best of them. The scene where the anger-free Rimmer leads the brainstorming session is quintessential, as well as one of the funniest in the show's history.

We need to get this straight once and for all: His name is spelled Flunddon Brozier.

We need to get this straight once and for all: His name is spelled Flunddon Brozier.

Could we put him in more of a "hip-hop" context?

Could we put him in more of a "hip-hop" context?

He's madder than Mad Jack McMad, the winner of this year's Mr Madman competition.

He's madder than Mad Jack McMad, the winner of this year's Mr Madman competition.

In Australia there was a short-lived talk show called Micallef Tonight,
and at the start of the very first episode the host opened the monologue
with "Thank you, thank you, but before we continue, let's look back at some of the moments that have made Micallef Tonight the show that it is so far", and then cut to a…

In Australia there was a short-lived talk show called Micallef Tonight,
and at the start of the very first episode the host opened the monologue
with "Thank you, thank you, but before we continue, let's look back at some of the moments that have made Micallef Tonight the show that it is so far", and then cut to a…

I'm with you. She's basically a younger River, only even more
artificially witty, smug, sassy, and arbitrarily ultra-capable and assertive. So far
she's all of the show's worst habits rolled up into one character, but
hopefully being Dalekified and blown up will make her dial it down a
little.

I'm with you. She's basically a younger River, only even more
artificially witty, smug, sassy, and arbitrarily ultra-capable and assertive. So far
she's all of the show's worst habits rolled up into one character, but
hopefully being Dalekified and blown up will make her dial it down a
little.

This is one of the funniest movies of the decade, and one of the funniest things in it is the unusual method that Richardson uses to distribute the flyers for the big stunt. Given my bottomless hunger for attention and validation, I now request that some of you agree with me with as much haste and vehemence as you can…

This is one of the funniest movies of the decade, and one of the funniest things in it is the unusual method that Richardson uses to distribute the flyers for the big stunt. Given my bottomless hunger for attention and validation, I now request that some of you agree with me with as much haste and vehemence as you can…

His voice also changes at least once. In the one where Lisa gets a pony, some kid says "she's certainly tamed that horse", and Ralph replies "Yes, but what man could tame her?" in a voice that sounds like Nelson's. I mean, what are we to believe, that this is some sort of a magic xylophone or something?

His voice also changes at least once. In the one where Lisa gets a pony, some kid says "she's certainly tamed that horse", and Ralph replies "Yes, but what man could tame her?" in a voice that sounds like Nelson's. I mean, what are we to believe, that this is some sort of a magic xylophone or something?

Great episode. The AMAZO depicted therein might be the most powerful character in all of fiction. The only people who might stand a chance against him would be those who can manipulate time and reality itself, and that's only if AMAZO hasn't already mastered that shit, which he probably has.

Great episode. The AMAZO depicted therein might be the most powerful character in all of fiction. The only people who might stand a chance against him would be those who can manipulate time and reality itself, and that's only if AMAZO hasn't already mastered that shit, which he probably has.

Royal Ugly Dude, you sound like someone who might enjoy the comic Superman: Red Son.

Royal Ugly Dude, you sound like someone who might enjoy the comic Superman: Red Son.

I think the opposite will happen, because the next reboot is virtually guaranteed to be worse, and peoples' current fondness for the Nolan trilogy will be amplified by nostalgia and a need to defend the "classics" against anyone who dares suggest the new one is better.