Cross is for sure NOT an impressionist. Even when he plays other characters it still comes off as David Cross doing an impression of David Cross playing [XYZ Character].
Cross is for sure NOT an impressionist. Even when he plays other characters it still comes off as David Cross doing an impression of David Cross playing [XYZ Character].
Holy shit, that’s the best parody of Eric Clapton I’ve ever seen. I mean just brutal. And perfectly sums up why I always hated that song but couldn’t express why.
From that article:
Sometimes a famous person announces a transition and there’s a period of adjustment that has to happen in your brain when thinking about that person, but not with Eddie. She’s always been every human gender type possible, and I thought she was great from when in 2001 a friend showed us all a DVD of one of her tours…
It’s a bad movie. But it’s still FUN to watch in all its badness, especially with a group of other people who are also in on the joke. It’s solidly in the “so bad it’s good” category. Most movies today, including our overstuffed buffet of the Superhero genre, emerge from Post with every scene washed in blue or …
I really don’t know the details of that relationship but I can’t help but err on the side of caution and agree: it looks unsavory and flies in the face of a woman who purposefully covers it up with a ridiculous wig.
Whenever Black people in the industry [RIGHTFULLY] complain that there are few decent parts for them outside of what amounts to minstrelsy, white people come back with “well what about all the shows that show poor white people as ignorant yokels, etc?” And the answer is, “when there are so many varied complex parts…
This is the crux of it, IMO. Someone on twitter shared a bunch of interviews where Sia is talking about Maddie, or vice versa, with the claim that the relationship (which started when she was a little kid) is unhealthy at best and downright abusive at worst. Everything else she’s doing is dancing around the point that…
Since this tactic doesn’t actually work, maybe you should switch it up
or how he objectify the Amazons in JL(the Amazon actors were allowed creative decisions on their own costume, and they chose the suits worn in the movie).
So his tactic is to barge into every thread with “I’m a Democrat and voted for Biden and so did this other guy and that gives us cover for any shitty belief that would be shared with right wingers.” Yawn.
Someone I follow on Twitter described this entire endeavor as “a baroque amalgamation lumbering under its weight of expectations.” I couldn’t put it better.
You’re seriously comparing “The Snyder Cut” to “Shoah.” Uh, ok.
The only other movie I can think of where they had the same deal and his scene didn’t get cut was in The Associate (starring Whoopi Goldberg), a fun movie with a solid cast, but didn’t fair too well at the box office. The movie takes place on Wall Street and he plays himself, naturally, and the character with him…
I’ll have to look into that, it sounds interesting. Fascinating in that the timeline of DC and TWOP coincides with the rise of blogging as a mainstream form of information dissemination, and of the rise of the internet as a mainstream home presence overall.
Really? This is something I know next to nothing about, in terms of its history
I was in 7th grade when Dawson’s Creek came on the air (I loathed all those teen dramas, unlike most of my female classmates) and when I heard about that storyline I was horrified. Then when Family Guy directly mocked them a year or so later I was thrilled. FG has aged poorly for the most part but at the time it was…
I’m only specifying for this type of relationship. If you want it to have an effect, strive for this type of look.
And I think many if not most guys would not.
I feel like productions involving the abuse of teenagers (and portraying it as abuse, as opposed to some kind of “love story”) would be more effective if the “teens” in the production actually looked like the kids they are. Pubescent, yes. Close to adulthood, yes. But still adolescent.