For me, it's that Nolan was able to make the movie serious without being relentlessly grim. Snyder especially seems to conflate the two.

Alright, you're good in my book.

I'm with you. I like it a lot while also accepting that it kinda sucks.

It also had David Bowie. That was pretty neat.

Actually, I'm very cool.

Yeah man, Hathaway in Rises is A+.

I use this comparison a lot, but it's like getting mad at Pearl Jam because of Creed and Nickelback.

TKDR has elements of a good movie, but it's just such a mess. It's too long, but also somehow feels rushed? It needed to either be two movies or streamlined to a huge degree.

I could buy that as a critique of just about any Nolan movie, bar The Prestige and Memento.

You sound like fun.

The best Christopher Nolan film is any scene with Bane in TDKR. Next question.

I've found myself listening to Arctic Monkey's AM a lot recently, not just this week. I haven't really listened to a lot of their other output, but that record really struck a chord with me.

If you're listening to Kyuss, give Sleep a shot.

My granddad was in the Navy in the Pacific and listening to him, you wouldn't even know a war in Europe happened.

I must be one of the few people who didn't get an uncanny valley vibe from Tarkin or Leia.

I guess we'll just have to fall back on our functioning public transit.

I got to see Hateful Eight in 70mm and I don't think I would've liked it as much if had seen it in a regular format.

That drunk and disorderly rap he picked up in Panama City last spring certainly doesn't help.

I came down here to say almost exactly this. The platform isn’t the problem, the problem was that Hillary was very bad at delivering her vision of it credibly. So much of her campaign was focused on “Look out for Dangerous Donald Drumpf” and trotting out goblins like Michael Bloomberg as exemplars of the “good”…

Jeet, go on Chapo.