Jay Ward is always win.
Jay Ward is always win.
Hey Megan! Explain your role in Fish Police!
Here's the thing about MLP:
Here's the thing about MLP:
I'm gonna get railed for this, but anyone catch the season premiere of MLP this weekend? Man, it was straight-up terrible, even by "writing for 6-year old girls" terrible.
I'm gonna get railed for this, but anyone catch the season premiere of MLP this weekend? Man, it was straight-up terrible, even by "writing for 6-year old girls" terrible.
And people wondered why I got so angry last week.
And people wondered why I got so angry last week.
While not as loud as the OP, I have to agree with the gist of this here. Family Guy is essentially a traditionalist sitcom (specifically, of the Norman Lear variety) as filtered through an aggressive Warner Brothers 1940s cartoon. It's both, but too many reviewers focus on the former. Not to say FG doesn't have its…
While not as loud as the OP, I have to agree with the gist of this here. Family Guy is essentially a traditionalist sitcom (specifically, of the Norman Lear variety) as filtered through an aggressive Warner Brothers 1940s cartoon. It's both, but too many reviewers focus on the former. Not to say FG doesn't have its…
This deal is bizarre.
This deal is bizarre.
So, it's Catcher in the Rye: The Movie?
So, it's Catcher in the Rye: The Movie?
I think that might be the problem - RS is kinda very specific in terms of the demographic. It's aimless without delving into the "pot/drug/drinking" side that most shows and films do when dealing with aimlessness among young kids. While AT themes on adolescence has more pull among adults and kids, AT aims directly for…
I think that might be the problem - RS is kinda very specific in terms of the demographic. It's aimless without delving into the "pot/drug/drinking" side that most shows and films do when dealing with aimlessness among young kids. While AT themes on adolescence has more pull among adults and kids, AT aims directly for…
You know, I keep seeing this kind of thinking about RS and it bothers me quite a bit, not only because it's shallow and reductive, but it's shallow and reductive of a show that's a lot more deeper and relateable than its critics give it credit for.
You know, I keep seeing this kind of thinking about RS and it bothers me quite a bit, not only because it's shallow and reductive, but it's shallow and reductive of a show that's a lot more deeper and relateable than its critics give it credit for.
Really surprised that Up gets tossed aside so much, as I feel it's their most ambitious work and really nailed it, even outside of the ten-minute montage people cry over about (seriously, it's a well done moment, but the movie overall is amazing.)
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