From my observations, there are two kinds of creative artist:

Everytime you have a CG establishing shot, you have to have a flock of birds flying through it, to give it scale. Every time. EVERYTIME.

Danny Trejo - again.

Danny Trejo.

Aw HELL no!

Danny Trejo?

The shorter one with the goddam narration, 'cause Harrison's voice is so cool.

But he'd have to lose that ridiculous tan.

Her lips are full of saline.

He's not the regular square-jawed hero, which is good. What I really like about his character is that he is a secret nerd - all these beer swilling good ol boys admiring a guy who thinks for a living.

Yeah, they shoulda started with season 2!

Of course, standard TV "hour" is only 40 minutes now.

I bought a five year subscription and only then realised my mistake: Famous Monsters of Finland. 'Snow joke!

Also, Santa is a prick.

tl;dr

In the theatre, Scott Pilgrim was unsatisfying, as it had no emotional arc. When Jason Schwartzman started fighting I thought "Oh. I guess we're near the end now." But at the same time I thought "This would be awesome to have on DVD. I would watch the hell out of it." And in this I was correct.

Original Wolfman wasn't BAD as such, just not very good. Still, it looks lovely, Claude Rains and Lugosi are enjoyable, and the music is good. The worst of the 40s Universal horrors was Frankenstein Meets the Wolf Man. The plot is nonsense, the leads are wooden (even Lionel Atwill seems bored), and there is an endless…

No wonder it flopped.

The first movie had a lot of good elements, but had a silly set-up and was just relentlessly LOUD like all Anderson's films.
The second had some good elements but was ruined by a terrible edit.
The third was not offensively bad, but still pretty much a complete waste of time.
None of these were as bad as Ultraviolet.
Haven…

Nazis versus Aliens is an idea the absence of whose exploitation to fuck I find inexplicable.