I do love that somehow right as I'm noticing, "wow this lady's blouse is really loose and showing off a lot—", Betty's already commenting on it. There was no close up, no real call to attention to it, aside from general male gaze in cinema.

To me, I think you could take it as this:

God damn, I miss Fat Betty just for the jokes.

I actually just wrote a comment addressing this. That it's a callback to the first episode of the season, where the title card on the screen read, "Always the same dream. Sometimes he calls it Utopia—Sometimes the Fountain of Youth—Sometimes merely “that little chicken farm.”"

You're going to be in Lane's old office. You remember Lane, right? Your friend, you went to the movies with him, he hanged himself? Right, oh of course you remember, you helped cut loose the belt that kept his lifeless corpse hanging from the door frame. Well anyways, make yourself at home! Just don't drink or talk to…

The juxtaposition of this episode was really obvious. The theme of this season is becoming more apparent with each episode. We're seeing how much Dick Whitman is willing to throw away in order to stay Don Draper. His marriage is gone, and now essentially his dignity is gone, with the "okay" at the end of the episode.

I fucking love that Roger took all of zero seconds to process Harry Crane's position within the company before giving a quick "he's gone". He's been with the company for a decade and heads their entire media department, "he's gone". Roger is on top of the power rankings for this week.

Did anyone else get goosebumps when Ken mentioned The Carousel when he was showing Don baby photos of Eddie Cosgrove? I live for little callbacks like that.

Bobby Draper's gleeful "we were having a conversation!" was the line of the night for me. It took seven seasons but someone's finally acknowledging Bobby Draper's existence.

She got a glimpse of the Ark of the Covenant and her face began melting but only a little bit.

I wanted to expand more on the quote posted at the very end by Todd, the one that sprawled across the television set before Don and Megan had sex. I think it's more telling than Todd alluded to.

"One of those artist couples, who are doing different things in different rooms and they call to each other and say, 'Look what I'm doing!'"

Which, has some parallels to last season with Hannah and Adam, how Adam had gone to AA and was seeing someone else, and he went back to Hannah when she was crippled with OCD and struggling with her eBook deal.

Well I'm curious to see what ramifications, if any, will come of it. Given that assisted suicide is not legal, and by calling 911 she's getting authorities involved. This is after she somehow got away from stealing money from her workplace to buy drugs.

Adam Driver is the king of cadence and inflection, so many times throughout the season he would just nail a line delivery.

"Caroline's boyfriend"?

Elijah along with his shorts are going to be series regulars next season!

I feel as if the final shot of the show, Hannah clutching onto her Iowa acceptance letter addresses the claim that Girls doesn’t do season-long story arcs. At the end of season two, we saw Hannah at her lowest point, and it took the love of her boyfriend to help get her out of that place she was in. Here we are at the…

"Hey Shosh, is this a good time?"

Shosh's "please?" to Ray was heartbreaking. And what makes it work for me, is that as a viewer I'm torn as to whether Ray was making the right decision or the wrong one.