even-the-scary-ones
Even The Scary Ones
even-the-scary-ones

A shame, I thought it was a fairly solid series. A bit too fond of musical montage-y sequences, but it had some good stuff to offer. Also the first thing I’d bothered to watch on Freeform (although I watched every episode via on demand, so I technically didn’t actually watch the network directly). Now, probably the

The real issue here is when will we learn the fate of this new timeline’s Ben Tramer? And who will play him when he finally arrives in all of his glory?

This is obviously because he forgot the lesson to not leave things in the fridge.

I liked the bit early on with the woman trying to escape her crashed vehicle. I figured maybe something would come of that, and then she got bitten on the leg. Figured after that, maybe she’d still get loose and do something else. Nope! Just a good way to have Flashback Lydia freak out. But still, poor mystery lady.

Awwwww, and here I was thinking this movie, that if I recall correctly was worked into a Cinemark Movie Club ad before the showing of It Chapter Two I took in Wednesday, would be EXCELLENT. Also pretty amusing that we also have that upcoming movie about a killer novelty phone app coming along too.

Although still sort of relegating the show to background noise, I AM getting more into wanting to actually pay attention when necessary. And it’s nice getting a Walking Dead thing back on the air that’s actually doing stuff I can so far say I’m engaging with to a decent degree. After Fear went and shit its own pants

Meh. I only watch TRUE cinema anyway, like Gymkata and Rats: Night of Terror.

Or have Sam Rockwell’s Justin Hammer get out of prison looking to get revenge on Tony and not knowing he died for whatever reason, so he just goes after Iron Man, Jr! Which, to be fair, means more MCU Sam Rockwell. And I suspect Spider-Man: Third Subtitle Goes Here would work out better than Iron Man 2.

I’m still trapped in the middle of judging it based on how faithful it’s being and how well it’s handling what it IS doing with the material. So a bit of “mehhhhhh” for the former and a bit of “yay” for the latter. I can’t entirely complain about how a number of things are going, but as usual, eh. Case in point, I’m

[words approximating the same thing I’ve said in various ways over a period of time]

That’s always kind of been my thoughts on how The Walking Dead has functioned at times. During most of the show’s run with Negan and the Saviors as the Big Bads, it could be an interminable drag to sit through any given episode. And while the comics aren’t always good either to some people, when I finally started

I find it a bit quaint back when I thought the show would work in Starr’s “moving walkway” moment just because it always struck me as funny in the comic, so CLEARLY it would be funny on the show. Presumably with or without the moving FUCKING walkway part. And yet here we are, three episodes of the entire series left,

I find it a bit quaint back when I thought the show would work in Starr’s “moving walkway” moment just because it always struck me as funny in the comic, so CLEARLY it would be funny on the show. Presumably with or without the moving FUCKING walkway part. And yet here we are, three episodes of the entire series left,

I feel like Koontz deserves recognition in the area of having something adapted what feels like an infinite number of times through the Watchers movies, where I think all of the sequels were basically just modified re-dos of the novel. But gaining Mark Hamill by the last one! Although checking on it, I kind of get the

The best part about that is how it isn’t entirely wrong (sort of). After Barry Allen died during Crisis on Infinite Earths, a character eventually showed up in Quasar in 1990 as a speedster from an alternate reality with amnesia who just so happened to be vaguely Barry Allen-ish, wearing a tattered costume with a

I still haven’t gotten around to reading my copy, but I ended up ordering two just for the ‘60s Allred cover for that Allred-y goodness and the ‘80s Tedesco cover for having She-Hulk front and center. Probably would’ve gone a bit more nuts on variant buying based either on the artist or the characters present, but the

None of that matters, as he’s actually still trapped somewhere in space alongside Burt Young, being fed on by alien spiders.

Personally, I choose to believe this is all thanks to her role in the Outer Limits episode “Music of the Spheres.”

Thinking back, I suppose this episode was better than I was thinking it was. But I’ve gotten too far into one of my “this show will now be viewing primarily as background noise” ruts to be objective about it. And a constant urge to always weigh the show’s actions against the events of the comic, which doesn’t usually

On one hand I’m excited for these (although hopefully the shows do in fact allow for the characters to make it to the big screen as I’d hate to think some of my favorite characters would just spend all of their time popping up through a streaming service), but on the other hand I’m now basically blocked from getting a