‘Dracula’s Daughter’, ‘A Nightmare on Elm Street Part 2', ‘The Lost Boys’...

At least give the guy the standard highlights reel: James Whale, ‘Psycho’, Rocky Horror, ‘Sleepaway Camp’, Cronenberg’s ‘the Fly’, ‘Gods & Monsters’.

While that’s a bit of an overstatement, horror is a genre deeply linked with the concept of “the other,” meaning that issues of race, religion and sexuality are often integral elements of the genre’s themes and subtext. A number of important early genre filmmakers were gay, and their experiences would inform the work…

“If we could get some Inuyasha, YuYu Hakusho, or Big O news as well, Adult Swim and Toonami fans would be all set.”

It’s a bit of an outdated mindset too, it’s as though the Duffer brothers are channeling some kind of “movies are better than TV” thing.

Gravity Falls is one of those ‘game recognize game’ shows. Writers fucking love it, to the point where they write tributes to it every—fucking—where.

I agree with everything you said, although before Michael Giacchino’s score for Lost, it was Christophe Beck’s score for Buffy, the Vampire Slayer for me.

No disrespect to ST, but all it’s really done is integrate one song (Running Up That Hill) at a few effective moments. When It’s Cold I’d Like To Die was used pretty well too (bit of an anachronistic choice though, I think?) and the synth score is great. I wouldn’t personally say its use of music is particularly…

Not gonna lie... it was oppressive at times. We all complain about certain series being light on plot.... this was the exact opposite. It was like a fire house. My significant and I broke up the final episode, though we breezed through epi 8. That 2.5 final “episode” was a lot to digest, it was almost too much, which…

Can’t bear to look at him after that.

Being a public figure means navigating uncomfortable questions because otherwise they end up getting headlines like this picked up.

Never been to a farm that didn’t have guns (or weed for that matter), but “strewn about the living room” might not be the best policy.

Not only British, but more specifically Yorkshire as well. I imagine you’d get a few bemused looks down south if you said it out loud in Kent these days.

no need to shut up, you have an emotional attachment to the original I’m sure. Hopefully a BIPOC or trans person will watch this and develop that same emotional connection. They are just as Queer as Folk as any of the original cast. 

it’s a reimagining, not a remake. I think taking an iconic show that was some of the first proper representation of queer culture, and now actually representing queer culture beyond white gay men is pretty powerful. And let’s face it, us white queers owe our whole culture to BIPOC and trans members. Maybe we should…

I really wish Way was playing the same character he plays in Hacks, so we could see the start of the Deborah Vance Cinematic Universe. (Also to include The Fabulous Mrs. Maisel.)

I feel Queer as Folk and Pose both are in the same vein of feeling a little bit after school special, and I’m sure there’s some intention behind that since most queer kids never got that. There’s some mothering/nurturing aspects to the format. So I never mind the cheese factor to some of the lines falling flat.

Oh, there are plenty of narcissistic bitches in budgie smugglers there, too, no doubt. But there are significant differences between the locales that makes P-Town vastly more pleasant to vacation at, IMO. For one thing, there are actually things to do BESIDES getting wasted and having sex with random people; I have…

Not to be too grim, here, but Jeffrey didn’t have a lasting presence because the culture it depicts and the people it portrays are dead.

I read the claim as Bros will be the first LGBT-cast romantic comedy from a major studio, Universal. I’d guess that Fire Island (Searchlight) and others have been from indie or boutique studios so they don’t quite fit, but it’s kind of an arbitrary distinction.