Unfortunately the Middle Man coming to Netflix is the Jim O’Heir movie, and not the Natalie Morales TV series.

Unless they’re gelded.

There was a documentary series earlier this year based on the theory that it was OJ’s son how killed Nicole and Ron Goldman and OJ was covering for him.

It is such a structurally perfect movie. And possibly more relevant today than when it was made.

Isn’t calling Jessica Biel a human being fairly generous?

(It’s possible this should have gone on last week’s review, but I’m not rewatching in real time right now.)

It’s possible the creators had a vision of what this show became when it started. I can almost guarantee, however, that the execs who green-lit the show and certainly the marketing team had “’80s Mad Men” first and foremost on their minds.

My illusions are shattered. This is Kinja’s fault, somehow.

Or keep it closer to Game of Thrones, and adapt Wild Cards. Martin might even keep writing ahead of the series.

Unfortunately, you need to do major surgery on Books of Magic to make it not look like a Harry Potter ripoff.

The second-best Star Trek movie since Wrath of Khan.

Not every day. There are 48-hour periods where she’s drunk the entire time and doesn’t get hung over.

I think there are some points of comparison with Breaking Bad. For all the Joe/Don Draper comparisons that get made, I could almost see the pitch being "Don Draper and Walter White team up in the '80s computer world." Gordon is like a Walter White who never found his Heisenberg.

Eh, it's CBS. Their programming strategy is centered around people not finding the remote.

Thoros has to die before Beric, so he spends some time knowing he's on his last life and he's not coming back next time he gets killed.

What the fuck's a Lommy?

"Only me, Mothafuka."

Thoros is going to have to knock out the Hound if they want him to get on a dragonback.

Vanilla, Chocolate, and Swirl.

That the Ice Dragon trapped in the Wall literally has three heads.