equocanone--disqus
L'Italia che non vuole bene
equocanone--disqus

Because everyone all over the globe speaks english.

*Not spanish, mexicans.

Two things about that issue: 1) at the time in Italy almost all movies were an international cast full of non italian speaking people. So obviously they needed to being dubbed.

Why not Korea? Strangely it seems that there is hardly any movie about that war.

Sorry Colin Farrel's mom, but that's a pretty disappointing and boring choice.

Boring.

This. Also the other two shorts from Manie-Manie are great, for me the best one is Rintarou segment.

Jokes?

Johnny's ex girlfriend:"uhm my boyfriend is weeping like a child for god know what, again…wait…what the fuck I'm doing here?!?".

I fail, again, to understand why "art" (or entertainment) have to straighten the wrongs of history (just to make it clear I'm talking about the race/gender issues raised in the review).

Maybe, but frankly I don't think that fight stereotypes with other stereotypes is a great move at least for a series that apparently want to be edgy and progressive.

What I learned watching this episode of Girls:

Apologies, dominus!

Miyazaki Hayao/Hisaishi Joe
Oshii Mamoru/Kawai Kenji
Federico Fellini/Nino Rota

It's one of the top 5 favorite movies of practically every fascist group in Europe…

Pubes.

Can be both, right? ;) Being italian I'm pretty sure about what I said at least 'cause I saw many italian movies (and of course because I read a little about the topic). :) But besides that, it's not like every films in Italy were shot in Cinecittà or even in Rome. One genre that it's well known in the US like the

Almost until mid '70 many italian movies (mainly, but not only, b-movies) had actors who in post production were being dubbed in italian. They did that for a number of reason, first of all because they preferred to choose good looking and/or famous people instead of real actors because was much more fast and cheap

Actually (strictly in the original form combined with Hotel Chevalier), it's my favorite among of his movies. It's one of his most cohesive work (it's have some sort of aristotelian unity of time and space, it's set for the most part in a train in a relatively short period of time and so on) focused on a smaller group

That's a perfect example of "japanese humanism" really common in that era, a mix of japanese typical sentimentality with a relecture of socialism corrected by it. Yeah, great movie, no doubt about it.