Several of Beck's albums have obnoxious hidden noise on the final song. Odelay, Mellow Gold, and Stereopathetic Soulmanure come to mind. Luckily for me and my many attractive friends (I'm really popular), I've edited and chopped up those parts so they're on separate tracks from their main song. I've also worked-in…

I legit don't like "A Day in the Life."

Oh man, one day you're gonna LOVE what Hitler and Eva get up to in their bunker.

Any album that has an indulgent, over-long, noisy final track. I can't think of any specific examples, but I know they exist.

So, so many TV shows peter out in later seasons, or just get increasingly ridiculous. The Office U.S., 24, Scrubs, Simpsons, the list goes on and on. No reason to be completists with most of these.

Please please please keep doing this feature.

For those who haven't seen it, this: https://www.youtube.com/wat…

Wasn't Animaniacs essentially a spinoff of Tiny Toon Adventures? Someone correct me if I'm wrong there. But tonally it's an outgrowth of Tiny Toons' sensibility, so it wasn't being created from scratch before a pitch meeting.

yeah, "Banditos" was killer.

Seriously? Squirrel Nut Zippers were real good, and frankly they had nothing to do with the 40s swing sound.

It's one-four. #pedantry

Glad to see Walter Junior putting his millions from Gretchen & Elliott to good use (see photo at top).

No — different shows altogether. Some overlap, but not a ton.

I think I mostly agree with you. Sign O' the Times at the very least. Goddamn, what a movie.

Well it's more like a two-disc live album that comes with a bonus live third disc ("The Afterparty"), and sometimes a bonus fourth studio disc that's mostly him at a piano. One Night Alone Live is what it's called, and it's real good, although he's deep in his Christian jazz big band phase.

Well, I do agree with me, so I guess we'll have to disagree to… disagree.

I heard an account of Dylan himself being shocked at the vocal sound, as they were working on Shadows and Fallen Angels (all in the same sessions, basically, in 2014). "My voice hasn't sounded that good in 40 years," he was purported to say to the engineer Al Schmitt. Considering his last great vocal record was Slow…

Totally — Tempest is great on its own merits (not as good as Love and Theft or Modern Times, but far better than Together Through Life). Two serious demerits though: the boring, boring title track (has anyone made it through this one on a regular basis? I start to lose my sanity around minute 8) and his craggly voice…

You mean Ryan McPoyle?

I'm thinking Saul made that story up. Or, I mean, the writers did. And I'm sure the new show's writers have thought about how it would potentially tie into his timeline. But I predict that they're willing to dismiss it as Saul lying to Walt.