And introducing… as "Girl in Car"

The S3 finale might not have been that great, but I thought it stuck its landing with that theme song sequence.

"Land That Time Forgot" was almost too decent to be an MST3K movie. Shitty effects, sure, but it was hardly stupid.

If I were a rock star I would probably sit in an easy chair on stage. That would be my thing, my calling card. At least was my plan back in high school.

Mountain, Rainbow, Molly Hatchet, Blackfoot, Bad Company, BTO

Notably, Tolkien and Rush became cool again within 10 years.

I thought I had dreamed this video. Nope, it's real and it's still funny. I love all the stuff it makes fun of, to the point it's almost offensive, but it does such a good job of it. Sometimes you gotta laugh at yourself.

DEEP HURTING

Few stories have great endings, unless it's some crazy twist, and then it's only good the one time. I thought L&K ended relatively well.

It might be the most realistic of the keys; we aren't too far away from having a technological way to replicate it. Not in the cartoonish method the comic suggests but by mapping the brain and zapping the cells involved in retaining that memory.

And now computers want to drive our cars for us. Nothing to fear!

There was some sort of warp zone place that I enjoyed as a concept. But why did the magic system need to revolve around gender? I thought that idea might go somewhere but gave up waiting for it. The first book was OK then everything became so repetitive.

If books 8-9-10 is the middle of the series, that's your problem right there.

I thought it was a police code somewhere, like 187 for murder.

Oh… that Delta Knights. Never mind.

Or, it's still relevant because the Reagan era didn't end.

Wasn't Delta Knights actually good though? I may be mixing them up. There was definitely a Joel-era fantasy movie that failed to suck.

Anyone else watch them all yet? I did and now I'm mad there's only 14.

It's possible that some things are inferior to others without tying everything to a gender. Going out on a limb here, but isn't "Die Hard" a more celebrated work than "Sex and the City" both within and outside of their genres? Is that somehow a gendered statement?

I don't know about sexist. Seems like more of a class-based argument, although that doesn't help it much. Still almost as vapid as the song.