Damon Dayoub was perfect for the part.

Again?

" I believe in Smallville it was used as if Clark was just on drugs or drunk or something. (Could be wrong its been a while)"

Frank was one of the few pro-active leads for whom you could root; Julia's and Joe's lack of characterisation stuck out like a sore thumb.

Peak TV.

More Frank, please.

The budget matched too.

There were some non-white guests; I remember counting around 3 POC.
Yay.

"I'm all for diversity and everything, but"
- fiction
- artistic liberties
- it's still more credible than most of what happens on this show.

The script switch + the rewrites led to delays which which only got longer because the producers tried to accommodate his needs - locations, film. He had no problem with other people but Effie because the only other person telling him "no" is the boss of HBO whilst other pass on the hard decisions and compromise to…

I feel like most people are too caught up in the narrative of the "Misunderstood Artist vs. The Greedy Hollywood Producers," and projecting their feelings (as creatives) to see the situation rationally.

Which script are you talking about? The original one with a preplanned pre-production, or the Jason's… which had to go through several rewrites, as he refused to decide on a location for the shooting until THREE DAYS before the actual shooting?

Scream Queens was trash, but I wouldn't go that far (at all) with Scream.

"Chanel is supposed to be fun, and she’s not—she’s just the vessel for hateful words that Ryan Murphy and company take far too much delight in putting on page to screen." - Exactly why I can't get on board with any Ryan Murphy & Co. supposedly edgy~ characters.

Where is Tales from the Crypt, though?

Probably because it hasn't aired yet. The Bastard Executioner did, and it didn't need a feature-length pilot.

Outlander, maybe?

Oh Zack…

Sounds like most of CBS' Reckless.

Do No Harm was so, so gobsmackingly awful. And yet, I watched it all.