I think Bronson turned out more crap for the Golan-Globus factory than even Chuck Norris, which is really saying something.

Curtis Mayfield scored Superfly.
Paul Kersey was Bronson's retirement plan—Death Wish 1 through what seemed like Death Wish 20,000, but I may be misremembering the actual number.

Well, technically kids are only allowed to use guns under adult supervision. Adults who name their guns Bang Bang and Li'l Sis.

Anything but dogs. They like people way too much, and are too trusting. They'd fuck up and let humans get the upper hand again.

Today in Iowa: The State Senate passed a sweeping new gun bill that will let kids carry handguns, allow people to sue businesses and municipalities that have gun-free zones, allow guns to be carried in the state capitol and so much more.

I've only seen a limited number of episodes, but from what I could tell, Lily Tomlin very rarely appeared in the cast-heavy bits like The Party or The Joke Wall. Apparently, even early on she realized she was too good for that crap. Aside from her, Gibson is easily the most talented member of the cast, and it's…

Eric Braeden will always be Hans Gudegast to me.

And, Katang kiss aside, it ends with Toph making a blind joke, the show staying true to its goofiest side even when it's at its most emotional. God, I love that show.

But he knows the location of every Dairy Queen in the state!

You know, I was going to respond with something like "If I told you, they'd stop me from leaking info"…and then I realized we live in a world in which it's entirely possible that some Breitbartian asshole who wandered over here could repost my comment, where it could conceivably be seen by the President of the United…

Some asshole at work tuned a lobby TV to Fox News. I heard Sean Hannity say something about how The New York Times will have to apologize to President Trump before I had to leave the room.

But at least Uproxx has Keith Phipps as one of its editors, and he'll bring in Noel Murray or Scott Tobias for the occasional piece, giving it a somewhat mutated old school AVC feel.

Watching old comedies with a huge audience can be a weird experience. I saw a revival house showing of A Day At The Races, and it played beautifully until it came to the All God's Chillun number. An uncomfortable silence descended, and it never quite left.

The comedy team of Mickey Rooney and Buddy Hackett make Allen & Rossi look like…a much funnier comedy duo.

Yeah, but Edie Adams is there to balance things out.

I actually do that bit WAY more often than I should.

He wasn't the least funny performer in It's A Mad Mad Mad Mad World, so there's that.

True, and I also think Howard Keel is the most unappreciated star in MGM's musical stable, but the whole thing looks amazingly cheap for a Freed Unit production, plus there's the whole Vic Damone, Romantic Lead issue.

Minnelli worked beautifully with both Kelly and Astaire, so that's the dumbest rule I've ever heard. It's like saying you can either be a dog person or a cat person, but you can't be both. But I am both!

Oh, Kismet is far worse than AAIP or Gigi. You can feel Minnelli looking at his watch through that one. Gigi isn't my favorite, and it's aged terribly, but Minnelli was apparently quite fond of it.