Go away. Incubatin'.

But when I see it, I have to pullet.

Ugh, a pun thread…I'd better say something clever, or I'll lay an egg, then I'll be Rhode Island Red-faced.

There'll be a Legend Of Korra ride, of course, but Nickelodeon will try it's best to keep anyone from riding it.

Just pointing out that the "no frills" DVD of The Asphalt Jungle has the same commentary track repurposed for this Criterion release. And yes, it was part of Warner's initial film noir box set, but I have no idea where that "crappy transfers" line is all about—the audio and visual of that set was outstanding for a…

Merkin Muffley
Buck Turgidson
Jack D. Ripper
Alexi de Sadeski

That Saturday night lineup really was something. MASH and Bob Newhart were just hitting their stride, the fourth season of All In The Family contained some all-time classics and, for my money, season four of Mary Tyler Moore is one of the best in sitcom history, anchored by the beautifully poignant "Lou & Edie…

Christopher Guest and Jamie Lee Curtis are First Customer and Laurie Strode.

That's the only way to touch a Dilly Bar.

Not for me…*weeps uncontrollably*

Wait, I've been to the Windsor Heights Dairy Queen. It isn't good for much of anything.

There's a fair amount of Vincente Minnelli there, too.

No, in the seething Midwestern rage category, Minnesota is the only state Iowans are required to hate. So we should be cool, although I could certainly provide a list of places in the state worth hating.

As an Iowan, I'm required to say: She's from Iowa!

Although I preferred her as Obama spokeswoman Blue Jasmine Steeplechase, a semi-recurring bit I would have loved to see more often.

Yeah, sometimes the interviews were great—Colbert talking to Stephen Sondheim was the greatest thing ever. But let's face it, that didn't happen every night. And yeah, there are other places to hear non-male, non-white voices…but hearing them on the home of Tosh.O was significant, I think.

See, I don't understand why people keep harping on the panel. It dominated the show for the first few weeks, but pretty quickly it became simply the last segment, like the interviews on The Daily Show or Colbert, and no one would say those were the highlights of those shows.

Sixteen Tons is Joe Vs. The Volcano

I really like the other shows Sondheim did with Lapine, but the book for this was so weak, with almost zero motivation for the character's behavior. I didn't find it laughable, but I could understand why an audience would be confused.

I saw Sondheim and Lapine's Passion early in its Broadway run (I almost said "its brief Broadway run," but it ran over 200 performances, far longer than I realized), and there was a bit of inappropriate laughter and a whole lot of sounds of people shifting uncomfortably in their seats. But even before that started,…