... the late Adam West will lend his voice to an anthropomorphic version of the 1966 Batmobile...

This compilation’s been killing me.

Scrolling down to this still, I thought this was a reboot of The Fly.

It’s gotta be so strange because the theatrical cut of Ayer’s Suicide Squad was a financial success. Made more money than Gunn’s The Suicide Squad sequel (though that had a pandemic release). He’s the credited director of a hit movie, but it’s looked down upon — perhaps most glaringly for its version of Joker — and I…

The score by Harry Gregson-Williams just sits there, failing to elicit the extra emotion it’s supposed to.

GloboChem allowed you to WFH before the pandemic?!

Tickets are gonna be impossible to get.

They banked a lot of good will over the years with the Marvel stans but those good will savings are starting to run out. There’s been noise about Marvel losing it for a while but it’s starting to become more of a real issue. They’ve spread themselves real thin with everything they’ve been trying to do across…

It’s a shame the reviews are not good — I feel like Meg2 would be Ben Wheatley’s first “one for them”, so I thought he’d have some special take on it.

Excellent debut. I like scary movies that aren’t about the jumpscares.

There must be books written about all the space movies that came out in the wake of the paradigm-shifting success of STAR WARS. They even sent James Bond into space. The successes of George Lucas and Steven Spielberg in the late-70s/early-80s — it was the beginning of the modern, wall-to-wall “tentpole” film industry…

It’s funny how that used to be Disney’s eternal cash cow. Before VHS and video-on-demand, they’d just rerelease one of their animated classics every few years and collect money from a new batch of kids.

I laugh every time she has a cameo in someone else’s superhero movie because they play that guitar riff and then she has this smirking, shrugging expression as if to say to the audience, “Oh well, I guess I’m in this one!”

Loved The Flash, as well! Saw it multiple times in the theater. I’ve definitely issues with it, too, but I find it remarkably disarming throughout.

Mutant Mayhem’s sooo much better than I expected, and I expected it to be good. Trent Reznor / Atticus Ross score is killer. It’s relentlessly disarming and charming. Looking forward to more of this.

Both of his HAPPY DEATH DAY movies are wuh-hayyyy better than they needed to be. Really wish they’d let him do his third movie.

This movie is so charming and disarming throughout. I love how the introduction of Superfly is kind of this homage to the Joker introduction in The Dark Knight — as well as an homage to Heat, which is what Nolan is always using as his heist template.

Yes, I should have clarified. AMPTP refused to further talks, and they’re the ones who initiated this upcoming meeting. So I hope they’ve actually got something meaningful to offer and this isn’t just some kind of Public Relations theater.

For the sake of basic, below-the-line production jobs returning, I really hope the strikes are over by then.

If you’d’ve told me — while I was blasting “The Downward Spiral” back in my college dorm in the mid-90s — that Trent Reznor would be composing the score for an animated Teenage Mutant Ninja Turtles movie... well, I would be very amused by this future.