You know Flash's costume was made for the tv verse that's not part of the cinematic verse. Also Wonder Woman's suit has the classic colors with a silver lasso, the original photo had a brown filter and a basic auto color correct that removes the filter shows it.

We didn't see Superman until the very last scene in the film.

Someone posted a video of Superman's "World of Cardboard" speech from JLU, and the subsequent beatdown he lays on Darkseid directly after. Hitting him with the Superman crack-power mega punch and blasting Darkseid through all of those buildings would have killed a few dozen people. Plus there's any of the hundred…

comparing gog to bvs is like comparing Sharknado to jaws

What the fuck are you talking about. Do you not know what a photo filter is? Any idiot can see the color in Wonder Woman's costume under the sepia tone, apparently you're blind.

I was fine with Man of Steel.

How do you not fuck up Superman? He's such a boring character and him being so overpowered means there's only a few storylines that can happen.

That's a ton of finished footage crammed into 15 seconds for a movie that is literally days away from release, BvS is, again, almost two years away. I think you simply want to hate that teaser because, well, you're a hipster. The suit Batfleck is wearing in that scene is pretty much identical to the one used in DKR,…

It felt more exciting because there were more scenes interspersed (keeping in mind that this was further along in production)? I'm sorry, but if you found that GotG teaser to be more exciting than the above, you don't care for either Batman or Superman.

I guess people miss the "teaser" part.

I'm on the internet and I must complain!...

Paranoia Agent is such a monster. It was creepy, it was amusing, it was interesting, it was mysterious....I really enjoyed it. I missed good stuff like that~

And lets not forget that most of his best works were backed up Susumu Hirasawa, who is one of the greatest musicians who has ever lived. I mean, just listen to "Yume no Shima Shinen Kouen":

His work just fucking sits in your soul and doesn't leave. I spent a year dissecting Paranoia Agent in my head.

Paranoia Agent is forever one of my favorite things. I can't even convey the feelings that show gave me.

I remember watching Perfect Blue with a friend without knowing nothing about the story and the director. My mind was blown away in such away i took me hours to comprehend what i watched that night.

The late Satoshi Kon — director of Paprika and Paranoia Agent — was one of the greatest animators to ever walk this earth, and the impact his body of work had on cinema is so rich and dense, we're only now fully unpacking it. If you don't believe me, see for yourself:

On a very personal note: I was lucky enough to hear Satoshi Kon speak at an early screening of Paprika once. He was truly a singular man.