Oh, you’re from Australia? Why why didn’t you say so sooner? We would’ve known right off the bat that you’re a fucking asshole with archaic views of masculinity and an unearned sense of macho righteousness.
Oh, you’re from Australia? Why why didn’t you say so sooner? We would’ve known right off the bat that you’re a fucking asshole with archaic views of masculinity and an unearned sense of macho righteousness.
Yeah, sorry, but half the video fails to capture what’s happening around the bend, where people are actually being whipped. The important visual would be the bend and seeing the aftermath, not watching all the people jump off the lift at elevation, so yes, this video would be better if it were in landscape with a…
What the fucking are you even talking about?
Anywhere with a subway system?
The bombs have an in-universe reasoning. Magnets or some shit that guide them toward the target. But honestly, it’s just called suspension of disbelief. This isn’t hard science fiction, it’s space fantasy. Any other complaints you have are subjective; Personally I didn’t find any of the acting cheesy, or the sets…
If you were embarrassed to wear a BB-8 shirt, you’re an idiot. Flat out.
That would’ve just been leaning on the audience’s existing love for the character and doesn’t really serve the story in any way whatsoever, especially since Poe’s entire conflict is with this new character. Just swapping out her meaningful sacrifice for a legacy character’s would’ve been bullshit. But that’s…
People keep saying “underdeveloped” and “unlikable,” when we very clearly understood her motivation by the end, and were 100% supposed to be against her, on Poe’s side, as a feint. We’re learning the same lesson Poe is rather than passively watching him come around to it. That’s good storytelling.
There is no “right place” to engage someone about their alleged sexual harassment, but when you have someone on the line, where they can’t run and do PR spin bullshit, that’s as close to right as possible, and more daring “journalism” than anyone else has been willing to do.
And yet it’s still the version he wants because of the benefits the Switch provides. He’s either playing this version or none at all, and that’s pretty clear in the original comment. So just let him be rather than stroking off about the inferiority of the port.
He’s clearly aware. Thanks for reiterating it as if though you were teaching him something that wasn’t clearly explained in the article before you hammered it home.
I thought his reasoning for purchasing it on the Switch was very clear, and in no way related to the graphical fidelity. What is with you people who insist on telling people with specific gaming needs that they’re somehow doing it wrong? He’s getting the Switch version because that’s how he can actually play it, he’s…
I mean, he’s really saying the remnants of the “old Republic,” whereas the era is the “Old Republic.” One’s just an adjective while the other is part of the proper noun name of the that era.
It’s definitely a feeling that, while partially replicated by online play with friends, is sorely missed. I was in middle school with Counter-Strike came out, and every Wednesday, ten or so kids would meet at an internet cafe nearby to LAN out. The tension and fun of 5v5 with everyone in the same room, shouting and…
Not to be “that” guy, but it’s not a hatchet. It’s a hammer. And it’s the big reveal about who’s wielding the hammer from the Outbreak Day poster. I guess this is one of our new leads.
I always found the film uncomfortable because of the toxic masculinity of Affleck’s Holden, but not because I didn’t think it fair, but just too real. I related to it too much, and when he fucked up, I felt personal guilt for fucking up that way before. I ended up having a relationship that was almost so beat-for-beat…
We get it, Rob. You’re psyched.
I’ll tell you flat out, as someone who works at a publication with these promo tours, half of the talent that walk into interviews don’t even know where they’re going until they arrive. They’re just being led around on a leash by their publicists and managers until they’re on set, being prepped on what they’re there…
It’s 100% a part of film and television production. Overnight edits, back-to-back shoots and travel. It’s a 24-hour a day job at times, but it seems like people in gaming do it more frequently and for longer periods of time without reprieve.
Pardon my ignorance, but I really want to know what the hell is the deal with Japanese titles for shows and games. Like, why are there always ridiculous numbering systems and words seemingly smashed together at random? Kingdom Hearts 1.5 followed by a bunch of other random nouns and adjectives.