The first film released in Nazi Germany was called Refugees.

JMS doesn't need them anymore, he's got Sense8 money.

This makes more sense than liking Ghostbusters 2.

Kate McKinnon is… HILLARY CLINTON.
Mila Kunis is… THE UKRAINIAN CONNECTION.

Sorry, Faster Pussycat, Kill! Kill! was already taken.

No, that character is called Sonak.

He dragged the United States into a series of unnecessary and pointlessly mean wars with his endless insistence on the existence of a 'clobbering time.'

Three of Next Generation's characters - Riker, Data and Troi - were also clearly rejigged versions of Decker, Xon and Ilia from the Phase II concept.

What happened to her regarding the Quiet Earth was a travesty - her shot at getting a role as the female lead in a major film about China (which would have a run of Oscar wins, including best actress) - but to have it turned down because they'd cast a white man as the male lead and didn't want to run afoul of the Hays…

DuMont is one of my favourite Wiki things to screw around in - reading about all these mostly forgotten or largely lost television shows.

And even if I had cable, I'm pretty sure Fusion doesn't exist where I'm at, so this is a nice thing to see online.

I liked it (and if memory serves, Will Harris has a very solid grasp on NCIS.)

And it only sporadically checked in on Continuum!

I think you are like eighty percent of my 12 Monkeys discussions and we've probably talked about it three times.

They used to talk about just going for three seasons, though (specifically having a plan for one), so a full four season run gives them enough room to go out in style and wow all us handful of devoted fans.

Those rich, dulcet tones of Peter O'Toole.

I don't know - I've only seen the Love Witch, but it was a pretty straightforward film. It wasn't, like, the Forbidden Room (which I loved, but I could get basically anyone not finishing it.)

It's a lot of fun, but I think there's kind of a war between what people expect it to be and what it is (even after they've watched it.)

I was at a screening here in Dublin last night (one of few, as the film won't even have an arthouse circuit release) with a Q&A afterwards, and Biller was quite forthright about what she was trying to do with the film and how it was made.

Reception for the last two books were a bit divisive, so I think that would temper expectations somewhat, in fairness.