Or at least, a box of explosives he knows Javier Bardem had, and was labeled “Javier Bardem’s explosives, do not touch” and then he touched it, and it exploded, because it was rigged to explode when someone touched it.

Like I’m going to pay any attention to the opinion of the idiot that plugged a known compromised computer directly to the main network, which led to the head of his agency getting murdered.

I’d point out that the current VC-25s aren’t using Loewy’s perfect, beyond reproach design either. He designed for a 707, rather than 747, which means that the ~*proportions*~ are different, as well as the change (no dark nose).

You can like or dislike Trump’s version, but let’s not pretend that the original design is…

You’re looking at it totally wrong. What is REALLY happening, is that the Ford is trying to chase down to the Buick, to add its mass and power to its own, while the Buick is trying to escape, but can’t get away because it’s been harpooned by the Ford.

Straight outta Camptown (doo dah)

Straight outta Camptown (doo dah)

Huh. I heard that on the radio a while ago, never knew that it was from the movie though.

Also, after relistening to it, I’m surprised it seems to have no connection to any of the people involved in En Vogue’s stuff.

I can’t wait for them to release a bunch of mediocre redone versions of the songs from the soundtrack to try to ride Whitney’s coattails.

I hope they do that in another movie or two.  Robot dystopia, your life is a lie, living in a simulation...  Oh yeah, also there’s space aliens, and we were at war with them.

That would be if the community was lauded for how few of it’s residents died there, all the while because people were taken to hospitals, and as soon as they get to the hospital, THEN they die.

Disney might be able to argue that there’s no harm, given that they include streaming revenue in the math, and during Covid, theater release would be severely hampered in terms of attendance, but if the contract was for theater release only, and that’s not what they did, there’s definitely a breach of contract.

And one…

Yeah, I can see how it might be suspicious that a bunch of people are dying in a retirement community.

Johansson points out that Disney doesn’t stand by their contracts, directors who sign contracts specifying how they get paid don’t want to work for a company that doesn’t honor their contractual obligations.

Aeon Flux was my jam.  Especially the shorts.

Yeah, this is the Hollywood version of INTERPOL, which is some sort of global overarching police agency that is only what certain people either wish, or fear, it really was.

Revisiting this makes me wish I could get more momentum behind my Robin Hood As a Caper Movie idea. We’ve seen the origin, we don’t need that, let’s spin up a Locksley’s Eleven bit, maybe ripping off Prince John to make him look bad in front of the king or whatever.

The colon cancer gag is especially topical given that the Martin Duo get together to hang out and irrigate their guts before they get their colonoscopy.

Because I guess if you gotta slam back a gallon of laxative over the course of an evening, might as well have some company?

Lobster Johnson seems a little too gritty compared to the others. (says the guy clamoring for a new Shadow movie)

Between this, and Jungle Cruise, and the new Rocketeer, hell yeah, it’s time for an Adventure Movie Renaissance!  Maybe we can get another Shadow out of it!

Brooke Shields had a far better case and she couldn’t get anywhere with it, this guy is getting, like, negative progress with his.