I just don’t know what the alternative would be. Does it have the juice to fill arenas on a weekly basis, not just the Takeovers, while fitting logistically with the WWE’s other travel plans? And as TNA can tell you, touring expenses add up FAST.

It also seems to borrow heavily from the 2006 TV miniseries “The Lost Room” that had Peter Krause in it. Objects of power, a strange motel with magical rooms, objects of power that can teleport, etc.

The third season is an unfunny slog 

Idk, the way the SCP folks want to stamp Control as inspired by them kinda rubs me the wrong way. I haven’t read much of it but of the handful of things I’ve read of SCP none of it was truly original. SCP is doing the same thing Control is doing, collecting and crafting past ideas into one coherent narrative,…

I hadn’t heard of SCP before Control, but what *really* struck me, was the similarity to 2006's Sci-Fi miniseries The Lost Room.

She literally has to say yes because she is a figurehead. 

The Kotaku staff seems to run a bit younger than I, so forgive my assumption, but I’m guessing you were a kid when you saw The Blair Witch Project? Because, while it was certainly influential in the way it spawned a number of “found footage” films and certainly a box office success, I’d argue (as someone who was in…

I hate to break it to you but you guys are the reason Ubi stopped outwardly putting politics in games. Lets also be real you don’t want “politics” in games, you want the “correct politics” in games. When a game comes out and the games media puts out dozens of articles criticizing a tiny thing what do you expect them…

I honestly really disliked how the show made The Seven (minus Starlight) super sympathetic villains and tried to humanize them. The comic makes it very clear: they’re all pricks, and it’s because of their powers. The only one you KIND OF feel for in the comics is Maeve, and that’s a late story backstory reveal more…

Well, a lot of people have written pieces about how the show surprised them because they always heard the comic was terrible but they liked the show! So no, not really.

I mean, that’s just another stereotype of what successful therapy looks like.

because am not that dumb.

I’ve always thought of it like this: Which is better measurement of a work of art’s success, how many people saw it, or how much money they paid to see it?

I watched a Nuremberg rally in colour last night

...

I read the comics as they came out. In the show, she does not fly, she did not fly in that scene, she jumped, and she didn’t regrow her spleen, which is why she got a lecture on what to be careful about living the rest of her life without a spleen.

It was “dull” on purpose if anything. It was to remind you that the asshole Forgotten Sons still had an ace up their sleeve and you absolutely should be booing them despite this amazing match.

I hope in a couple of years when all these characters wind up on Disney+ everyone involved in the Netflix shows with a “LOL aren’t superhero costumes so stupid?” attitude gets shown the door.

Neither of The Two Jimmies are funny, talented, or watchable. I can’t stand Kimmel or Fallon. They’re both an embarrassment to watch.   And James Corden is almost as bad.

I now totally understand the design of Thanos’s sword in Endgame.