docsupreme
DocSupreme
docsupreme

Italics are more important than I thought when I woke up today.

I would add The Sixth Extinction: An Unnatural History, by Elizabeth Kolbert, and This Changes Everything: Capitalism vs. The Climate, by Naomi Cline. Both interesting reads about important topics.

I love making custom action figures of my friends. Most of my recipes use parts from 3and 3/4 inch figures, so I end up with a lot of M*A*S*H, Dukes of Hazzard, GI Joe and ST:TNG (S1 only) guys lying around my hobby table. See attached for an example of one I did Xmas before last of a friend of mine who plays the

Both of Raven's plans (Murphy and StabityStabStab) were crazy and had 0 chance of success. But they were the kind of crazy plans you come up with when you're desperate and are just trying to do something...-anything- to make things turn out your way.

It's so insincere - right?

I don't know if this counts as subverting a stereotype but, how about Bender?

The opening credits are great. I miss the space station shots. Once Jaha left the station I knew the space pr0n was over, and I was more than a little sad.

It's like the anti-Vampire Diaries, which I dropped.

The only reason I like this show (other than the opening credits) is that they have flat out killed two different characters you would expect the network too milk for all the fandom they could get.

Much, thanks!

The reason why I watch the show is because actions have consequences. A lot of shows would have gone through some convoluted way of getting out of this.

Now playing

True Detective was great all around, but to quote Rainn Wilson, the longshot at the end of Ep. 4 better win all the fucking awards for everything. That was the best 6 minutes of TV ever produced. EVER.

The absolute best bit of television this entire year was the season 2 finale to Hannibal. That episode was pure art. Time and time again, Hannibal proves to be a series that can make the bloody, the gory somehow tasteful . . . and the finale was just a purely breathtaking ultimatum.

What about Mike Tyson's mysteries, where Mike beats the shit out of the el chupacabra.

Really? I love the scenery in that movie. I honestly thinks the LoTR trilogy works better when watched at home. I just rewatched it recently and if you allow yourself breaks, it becomes more of a really awesome series than an overblown film. It still remains, to me, one of the most best translations of a fantasy epic

I respect you and you are more than welcome to your opinion. I will still see it and enjoy it and buy it when it comes out on and again when the extended comes out.

Why? Because I still know that (for me) it will be AWESOME! (In the old sense of the word, not like awesome hot dogs)

I know it's not seen like this right now, and might not ever seem this way to the masses, but I truly believe Community is changing how sitcoms are looked at in a very broad sense. I feel it's almost single-handedly driving the Neilson rating system to the ground, by proving it's an outdated system that never worked

I had thought that Season 9 would be Dean, Charlie, Cas, and Kevin going around and saving the world while Sam stays back and runs the Men of Letters bunker. But that didn't happen. And I guess never will.

There are people on Twitter campaigning for a young John Winchester spin-off starring Matt Cohen, but I think they've forgotten that he didn't know anything about hunting until Mary died. And dragging two kids along in an origins spin-off would be horrible (and probably retcon-y). A young Mary Winchester spin-off

I wished they would have gone full Fringe-mode and do an alternate reality season where everything didn't turn to custard in the 50s and the Men of Letters had continued to be, with the Winchester family running the operation in the modern day.