Hey, remember when the Wyatt Family lost to for fuck's sake Kane, Big Show, and Ryback in like 5 minutes at Fastlane? What exactly was gained by that?
Hey, remember when the Wyatt Family lost to for fuck's sake Kane, Big Show, and Ryback in like 5 minutes at Fastlane? What exactly was gained by that?
This may seem weird, but Dana being a crummy wrestler actually works pretty well with her character: a hanger-on poser tool you want to see get her ass kicked.
I can do without their first two albums. So if I'm putting Mic City Sons in the greater Elliott Smith catalog…
"Hope" during the future universe of "The Day We Died."
Hot take: S4 would be remembered better if the two-parter at the end didn't happen. Just end it with the two universes closing off from each other for good.
IIRC, Torv's accent shone through when she said the word "anything." She pronounced it "annathunn" or something like that.
Interesting take! I like S6, and Chain of Command might be the best TNG ever got, but I can't argue against Yesterday's Enterprise and, of course, "Mr. Worf: Fire."
ST:TNG Season 3 with a bullet.
Yeah, the "…Meet Mr. Jones," "Safe," "Bound," and "Ability" arc is awesome even though it ultimately doesn't lead anywhere (much). That's what got me hooked on the show when I was getting restless.
SAYS "For one thing because it — you know, it offers people something to pay attention to that’s of no importance."
Because they're liberal, cosmopolitan dorks.
Donald Trump is what would happen if Vincent Adultman ran for president.
You dumped Deerhunter entirely? They of "Desire Lines," "Nothing Ever Happened"…they get dumped in full? Shit.
the female voiceover in the trailer sounds exactly like Salome Jens, and Idris Elba's alien looks a little like a Jem'Hadar, so I'm terrified it's gonna be a Dominion reboot for no good reason.
FIFTY-NINE MINUTES
Same thing happened to me in the middle of The Phantom Menace. This must mean something.
Put me down for The Terminal, which manages to be a huge letdown that doesn't play by its own rules even as a trifle flick. (For how to do that sort of thing much, much, much better, see….Spielberg's movie right before it)
Would Matilda be improved by adding Frank Reynolds? I'll hang up and listen.