For the love of entertainment, Barsanti, stop dishing out bad takes on all of a filmmaker’s recent work whenever you have to write an article about one. His Kong is, at bare minimum, a breathtaking work of craftsmanship that doesn’t deserve to be dismissed as “crummy” by... well, certainly not by you.

Aaron Taylor Johnson was so bad in that movie! I don't know what the deal was, he was fine in Nocturnal Animals and Kick-Ass, but then boring as hell in Godzilla and Avengers. It is like night and day. 

To be fair, that’s an Australian cow. It’s size is greatly exaggerated by the Mercator projection.

I have inside info that the actor who plays “dog” has been asking for more kibble, and that’s driving a wedge between him and the producers. After filming of the finale was completed, he was like, “you had me running miles at a time and you still can’t get me a mini fridge in my trailer?” Rumor has it, he will be in…

The spirit if T-Dog lives on in every named character they introduce that has nothing to do. 

You need to watch the Jazz movies Hollywood isn’t making.

You’re just mad his chapter on Miller Lite got cut by the publisher. 

You should have that cough checked out.

I dont get it? A picture of grass and part of a bush?

Composites of CGI and real-world elements tend to look more convincing when the color is muted. If you mute the color of both, they seem to exist in the same place. A desaturated, high contrast pallet also hides some of the texture deficiencies of CGI elements.

So...what you’re saying is...you want this new version to look like the old version. Then what’s the point? They’re obviously (although not to you) going for a real world look. The real world isn’t saturated in color, dumbholes. I swear, does EVERYONE HAVE TO COMPLAIN ABOUT EVERYTHING? Slow news day? I’m sure…

Oh, my God.

I remember watching the original Lion King and being so blown away by the animation. There was that moment when the camera refocused on the ants walking along the tree branch in the foreground, and I just thought, “This is amazing. They can actually animate something this beautiful.”

You’re fucking so wrong. You couldn’t be more wrong if you tried.

Of course that’s your idea. You just got finished reading some Marxian historian, Pete Garrison probably, you’re gonna be convinced of that until next month when you get to James Lemon, then you’re gonna be talking about how the economies of Celtic Britain were entrepreneurial and capitalist way back in BP 4500.…

How about a Robin Hood prequel that takes place around 9500 BP that’s about the early days of the holocene transition from the relative resource abundance and egalitarianism of pre-agriculture human civilization to the development of permanent dwellings, private property, and generational social stratification that…

How dare Bill Maher not give Jack Kirby co-credit for destroying society.

The other awesome thing is that Bill Murray ended up voicing Garfield in those live-action movies from ~2005, thus completing the Bill Murray/Lorenzo Music circle.

She is an android who easily disassembles

Can’t wait.