No problemo!

I don't think I've ever found anything as funny as that wacky deli episode. The bad animation, the random cuts to some paté; 12 year old me thought that was the funniest thing I'd ever seen.

At the same time, I got the sense from her confident demeanor and her brief exchange with the other Homeland Security agent that she was finally getting the respect and recognition she deserved, which mean's the universe has righted itself and Varga is getting what he deserves. He did look more noticeably disheveled…

https://www.inverse.com/art…

I managed to beat it with the good ending eventually, but not before dying a million times. Comix zone was a brilliant game with a ton of great ideas, but it was also impossible to beat unless you memorized everything that was gonna happen and where everything was beforehand.

*squats over and over again, farts*

I just saw the video of the interview, man that is some top-shelf cringe fuel. I didn't have plans to see this movie because it looks like trash, but now I might see it because I'm curious to know what that question was based on.

Yeah, it turned it ok. But man, what could've been.

More like WRONG Howard, amiright?

Good or bad, this is gonna sour everyone's perception of it. If a movie has enough goodwill going for it you can easily look past it's faults, but with Lord and Miller gone, probably over "creative differences", all I'm going to see is the stuff that's wrong and where the studio interfered.

I will attempt rotating my craft 360 degrees upon it's axis. That's an effective strategic maneuver!

Oh my god, yes. Those ladies were awful friends.

*sigh*…look, I don't care about Celine Dion one way or the other. I'm sure she's a nice lady, I don't like her music, I'm sure some people do, so good for them. That said, fuck you pop-culture. This isn't about Celine Dion, this is about you and your need to stroke your ego through some bullshit redemption…

Oh sure, I wouldn't say the movie is super-racist. I think it indulges in stereotypes, but not in a super-offensive way, and it mitigates a lot of it by subverting expectations in interesting ways. The problem is that all those subversive details only work if you actually watch the movie. In today's age, when…

Huh?

It seems like the kind of movie that couldn't be made now because everyone would say it was racist. I mean, I love Big Trouble in Little China, but it does rely on a lot of stereotyping.

Look at the red curtains. Are they in the black lodge? Dude, is Alex Jones Bob? Oh my god, Alex Jones is Bob! It all makes sense!

I agree with you on principle, but I don't know if the male romper makes the best case for this argument. Even the people who made it treat it like it's a joke, and the whole look is being sold with this air of ironic bro douchey-ness that suggests male insecurity masked with sarcasm.

Elizabeth Banks: "And by the way, he’s never made a movie with a female lead. Looking at you, Spike Jonze!"

Crap. Cheap, disposable click-bait crap.