Maybe just a few years before Art left, my roommate and I were heading back home from the bar and had the show on. The discussion was about self-driving cars. The guy on the phone said that he loved the feeling of driving himself, so he created a car that allowed you to drive, but would keep you from getting into…

This is not taking into account that this show was on the air 25 years ago. CGI had yet to become widely used in film at that point, much less TV. Having non-powered villains was the only way to keep the show on budget (even as a kid, I knew that when the Power Glove showed up as a prop, it meant that there wasn't…

A lot of people think a lot of things about Hawaii.

You've got to love Hollywood's conviction to turn any good idea and hammer the shit out of it until it becomes paper thin.

Yeah, this is as bad as the black, urban heroes they kept coming up with starting in the 70's. They all spoke white man jive.

And on that bumshell, goodnight!

Those explosions are actually the kernels popping.

My favorite thing about Art Bell is that he'd call out the most obvious bullshit. He believed in some crazy shit, but not stupid crazy.

Are they giving Doom powers again? Haven't they learned anything?

No. It informs on you to the FSB.

Hey! Hey! Hey!

Leonard Nimoy used to host "Lights, Camera, Action!" on Nick in the 80's. I used to watch it pretty religiously. Looking back now, I'm surprised about some of the stuff on there. I remember one episode had Michael Mann's 'The Keep' with the big monster strangling Nazis.

A lot of directors push for practical when they can. Nolan used as much practical stunts and effects as possible with his films. Abrams is using practical effects for everything he can with Star Wars. I don't mind CGI as long as it isn't made as a center piece. It should enhance the story. The problem today is, as…

I find that, when excited, penis capitalizes itself.

I love Cronenberg. I'd love for him to finally get to adapt a Philip K. Dick story like he was supposed to with Total Recall. But I'm with you Cosmopolis. I can take isolated talk pieces, but the acting was so terrible that I just couldn't even give it a go as hard as I tried.

My favorite line is when they see it walking off. "You've gotta be fucking kidding." The most honest line that I think I've ever heard in a horror movie.

I love how easily he goes from laughter to that.

Listening to the DVD commentary, they'd been working together for a while before the show. The 'Change for a Dollar' sketch came about when Cross was trying to get signs printed up for a show, and the guy he was talking to was making those noises while pretending to add up his price.

I believe it is as it's also the first one with Ronnie Dobbs.

The Dhali Lama/Fat Kids Camp was mine.