Also, Jon makes $4.3 million per year for being a wiseass.
Also, Jon makes $4.3 million per year for being a wiseass.
Snyder owns a new stadium he didn't pay for that sells out by charging the highest ticket prices in the league; he owns one of the most valuable sports franchises in the entire world. He's undoubtedly a model for other team owners, where the quality of the onfield product is beside the point.
He was great in The Hills Have Eyes. Very believable.
I tried, but it was one of the most tonally jarring shows I've ever watched.
The Dark Knight Returns Gordon.
I get what the rest of the film was going for, but I've never seen an entire work of fiction that delved that intently into such a base human condition, and now I want to.
He's only in it for two minutes, but he's the best part.
"…a gay Sex and the City."
"What's this? HBO? A cable television network devoted to talkies? It'll never work."
The little dude from Webster?
The party sequences at the beginning, and the Eurotrip montage were truly great; the rest, not so much.
I feel like the series is much stronger on second viewing. After the constant hit parade of in your face characters and new reveals of family connections, the show settled into a comfortable rhythm of complex, movtivated characters fighting against their inner demons.
We're now naming movies after 80s Billy Joel lyrics?
Agree. She doesn't sound outright horrible as a human being.
Also, they mated as salamanders.
He made it work for how he used it.
If their post 1980 output alone originated from a different band, that band would merit serious consideration for the Rock N Roll HoF.
The Blartscendents.
I say that when I don't want to talk to people about something I did: "I took a risk." It leaves them with nowhere to go.