He talks about as much as Max, too.
He talks about as much as Max, too.
"You have to believe that there are phenomena that are measurable and consistent, otherwise the whole process falls apart."
"Scientists are people and have all of the faults of people—they are not special. Consequently, the work produced by them can be just as faulty."
I want to mention here, as I mentioned elsewhere, that the government is spending an estimated $1.5 trillion dollars on the disastrous f-35, and no one seems to car. I dont get why spending a few billion on a guy who has learned to survive on Mars is so horrible, compared to all the money the government spends on not…
A lot of the characters' actions in the film seemed to be driven by their faith in the muscled god-aliens.
Honestly, I doubt it costs more than the estimated $1.5 trillion being invested in the disastrous f-35 that the public doesn't give a shit about.
The old Sonic games were basically pinball games where you directly control the ball. The speed sections were rewards for clearing the platforming sections. You were never punished for going fast, because there were never harmful obstacles in the speed sections. If you did get hit for some reason, it didn't really…
What? Besides the theme, the cartoon was mostly generic cartoon music. The games are frequently not very good, but their music is almost always great. Any one track from Sonic CD blows everything from the cartoons out of the water.
Just wanting to laugh is one thing; making definitive statements on the creators' intentions and criticizing people who don't conform to that view is quite another.
Uh, singleplayer is not half the game. Most people do not finish the campaign. People buy it for multiplayer.
Or The Strain.
What are you talking about, "widely accepted and not ridiculed?" It's all anyone talks about when Limitless and Lucy are brought up.
So, is Charlie Brooker involved, or….
I just want to see the sick sticks again.
I'll bet they're using a skintight, nude colored onesie, at least for shots that aren't close-up.
The problem is that the mysteries in this show are just not very interesting in the first place.
It worked for Dredd because the point was to not humanize him. You'll notice that he had a partner who did take off her helmet, because she was the one the audience was supposed to empathise with.
No, the problem was that the show started empathising with its villains. Namely, Gemma and Clay, who were Jax's opposition in his quest to turn the club to a more righteous path in the first couple of seasons. IIRC, Gemma even says that Clay might have to kill Jax if he doesn't get him in line.
Yup. Simple animation loops, repeating backgrounds, long stretches of dialog where characters do nothing except move their heads up and down every so often, and stories that were ripped off popular live action shows were common place back then, even in the incredibly popular primetime show "The Flintstones."
Sounds like New York is almost like another character,