This was a truly beautiful piece, in almost every aspect, San Junipero knocks it out the park. As a simple love story it was amazing, as a homage to nostalgia it hit every note for me.

The crime in this one added extra nuance. A child killer is a child killer is a child killer. But there's quite some difference between Ian Huntley and Adam Johnson, although to the media (and most of the public perhaps) they are both Paedos.

It depends. I don't install malwarebytes the first time I get a new computer or re-install my machine and I don't keep a copy on disk. If I feel like I need to cleanse it, while the site is probably malwarebytes.com i just google malwarebytes and click the link.

This is kinda funny when a reviewer accuses a writer of not understanding something, then gives their own take which demonstrates that it is in fact the reviewer that doesn't understand.

I don't watch Black Mirror for positive visions of hope. I watch Black Mirror for affirmation of my nihilistic worldview.

I think its referring to single episode anthology (as opposed to season anthologies). So the Twilight Zone/Outer Limits would err towards dark endings as would the UK show Tales of the Unexpected.

Then maybe, just maybe, you're already playing the game where some people avoid the normal back and forth between friends, both self-deprecating and deprecating each other which is a normal and very human form of behaviour.

Episode one smoothed over a lot of the problems. Episode two brought them back and put us right back in the crapfest of season one.

Gotham is getting better and better. It knows its utterly crackpot barmy and plays it to the hilt while never deserting a reasonably coherent narrative stricture - thats pretty hard to do with completely out there stuff and the show is really adept at grounding the madness in some sort of logic.

This was pretty bad. After the promise of last week we were back to the Season One tropes of terrible dialogue and ludicrous villains.

Looks like Frequency is dead in the water too - 0.4 rating.

Unfortunately No Tomorrow is already dead. Its ratings just failed and are too far off the mark to get another season. Its not going to build on the pilot.

The pilot was phenomenal, I can't recall a network TV pilot ever giving me the same feels as this created in the middle of the episode and Peyton List sold every emotional beat.

Arrow should be a dark show. Its best when its dark, when enemies die, when Oliver is ruthless and the emotional beats blur the line between hero and villain.

Something was off about this episode, I think it was the acting which, granted, is never fantastic but it really stood out tonight and pretty much the entire cast seemed to be phoning it in despite the hugely OTT dialogue (or maybe because of it).

It was very noticeable that there was virtually no information provided on the outside world. We aren't told the year, we aren't told anything other than that we've cured disease. Beyond that, the world outside the park is a complete blank.

I think that was kind of my point. The way she is written, as is not uncommon but never really talked about. It wouldn't be "play" rape she wanted.

Honestly, it';s not a show to watch drunk. There is a LOT going on in every episode, you can easily miss it. The last two episodes (basically a two part finale) were incredibly dense, you probably missed most of it.

Ever heard of paragraphs?

I have a question I've been thinking about since the scene.