Personally, I love the idea of a Peyton Reed FF in the vein of A Hard Day's Night, but that's probably never happening now.

The joke wouldn't have worked nearly as well with an ethnically ambiguous woman, though. It's funny because Jane Krakowski looks so completely out of place.

" Rebecca and Paula have the single healthiest scene of the season. (Well, the single healthiest scene between any pairing that’s not White Josh and Darryl.) They had a fight, as people do. They were both right, and both wrong. Paula did some dumb shit. It happens. "

And Adam Sandler was fantastic in Punch Drunk Love. Doesn't mean I can't hate him for The Ridiculous Six.

Not sense in a weird new-agey way, just sense as in "huh, my finger's being weird, must be something magnety going on".

Not going to lie, until MK showed up in the present I thought she WAS Katya.

I like Love, but I'll readily admit that Gus is a real scumbag who I'm barely sympathetic towards at this point. And I supported Walter White to the end.

They are, but they walk a fine line. If IASIP or Bojack had a little less self-awareness, or just weren't as good, their leads would be repulsive.

I'm not complaining.

I'm torn. On the one hand, Rachel Bloom. On the other, the Showtime version apparently didn't have songs.

Was Peter being a misogynist? It's been a while since I saw the film, but I just remember him trying and failing miserably to flirt.

I never trust an AV Club F. They seem like more of a statement than a sincere grade, there's always a big gap with the community score. Now a D-, that's something to wholeheartedly avoid.

Or Mama Cass.

Some comedians are just unpopular. You can bet people would pop in if Jim Belushi or Dane Cook were getting leading roles to criticize them.

Ice Peen sounds less like Ice King than he does the Monarch.

It's weird seeing her be likable.

Comics can take up a good chunk of change, a Warhammer addiction is costlier than crack.

I never trust an AV Club F, I always feel like they're more of a statement than an honest grade, but when I see a D- I know a film has gone horribly wrong.

I don't know if I've ever seen an F review without a massive gap between that and the audience average.

Eh. Most analysis I've heard about it puts at least as much emphasis on the pricing and the move from news stands and their ilk to specialty stores.