2020? They've got plenty of time! *checks calendar* Oh, I've wasted my life.

Yeah, that episode was dire and the musical number was incredibly low energy (although I did appreciate the Saved by the Bell parody).

I actually tell people I'm from North Brooklyn (it constitutes Williamsburg, Greenpoint, parts of Bushwick and Bedstuy). He said "the North Side," which is definitely something no one would say (unless they meant the north side of Williamsburg). It was still hilarious. The accent comes and goes…

You honestly can't say that the techparanoia vibes were "especially" on Vicki Leekx. They are part and parcel of /\/\/\Y/\. The album opens with the line "connected to the Google, connected to the government."

I actually enjoyed The Little Friend more than The Goldfinch, but everyone seems to agree that the Secret History is the best.

I'm not sure. It's definitely well-written, but it's entirely too long. I get that it's a sort of bildungsroman, but there are a lot of moments that are seemingly entirely unnecessary and drag the book down. Toward the end I was just waiting for it to be over with. The last twenty or so pages, though, were beautiful.…

Yeah, I got that. I was explaining why Laurie blew the whistle. It was a good scene.

It is absolutely not a semantic argument. I'm not trying to be aggressive, but it's pretty obvious that you wouldn't be able to pick out a piece of that song that could be identified as the chorus with that part serving as the pre-chorus in any sense of what those words mean. Although, if it really is a semantic…

Ah, the old 'withdrawing from conversation because you've realized you're wrong, but you leave the conversation with a doubling down on your original, incorrect statement because you think that as long as you don't admit your error you can walk away with some dignity, and hopefully no one else will notice, and…

If you are talking about the part that goes "Sorry I'm not home right now…" up until "So leave a message and I'll call you back," that is absolutely the chorus. What do you think the chorus of that song is? If that song even has a pre-chorus it would be the part that goes "Communication, a telephonic invasion

Isn't that just the chorus?

oh

Haha, I hope I can remember and we can speak again in the final episode comments. If I'm somehow wrong, I will gladly call myself a poopy head and worse.

Why would there still be an ATF if there were an AFTEC?

This wasn't made clear in the episode, but I read somewhere that those bodies were meant to be fake. As in a company is reproducing the bodies of your loved ones to bury. Why would they cremate Gladys at ATFEC instead of shipping her too? Because her body was in bad shape? Then why would Patty have her killed in that…

I don't know. I've actually never heard of him before (never visited TWOP), but he's very quickly become my least favorite writer. He also loves to troll the comment section and refuses to answer to legit criticism.

The G.R. (the cult in white), doesn't mourn the dead. It's probably one of their main guiding principles. For the reverend to go and megaphone a memorial at them all is an affront to their beliefs. He thought he was being nice because I don't think he understands them fully. He's trying to save them and bring them…

Please don't use the phrase "reverse racism." It's just racism.

That's an interesting theory, but I don't think it's the case. Patty seemed actually upset by the death, and I don't see how Gladys being dead actually provides closure for the departed with her body or ashes.

Haha, I seriously can't believe you, because what? Her response is too much of a parody of that kind of person. I'd need to see this blog.