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Ryan Enos
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I agree, but I tend to think that pursuing increased diversity and representation of women and minorities is more likely to create a diversity of perspective and thought-process than protecting opinions of conservatives, particularly when it seems like modern conservativism is pretty concerned with maintaining a

I churned through Ulcerate, Zhrine, and Phobocosm's discographies yesterday at work. Also, Unreqvited's Disquiet was good but saccharine. Going to go back through Burzum starting monday. Can't speak to its effect on my velocity, but there's nothing like a The Body album after lunch.

That's definitely a matter of taste, I find the show hugely divisive in a lot of ways. I think it's very well constructed, and has pretty complex and worth while themes beyond the otherwise already worthwhile representation. Personally I would strongly compare it to the Monogatari series as far as anime goes, in terms

Actually, despite stylistic and subject matter similarities there are some things in hindsight that Girl on the Shore improves upon. For one, it seems like it leans less on trope for the characters, and there is a lot more ambiguity to their emotions. Furthermore, while What a Wonderful World was a short story

Since no one seems to have commented on it yet, I'll throw in my two cents on Girl on the Shore.

Hm, I see what you mean, but why I personally find the recent resolutions less fulfilling is because it wasn't always the shows MO. The first season gave us very long developments and progressions of complicated problems, and that was actually the thing that set the show apart for me. It was willing to let feelings be

Discounting Zero, where the main character is largely successful for using modern weaponry. Usually the only reason he fails to straight cap people is the intercession of the basically invincible servant characters.