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Peter
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That's such an Amanda Waller attitude. Perfect.

On one hand - bad writing of the band. But also, Cam and Mitchell are written as if they don't even like each other 90% of the time and there's never an indication they love each other, so I can see why one wouldn't assume they're a couple.

"Your Saving Grace" by the Steve Miller Band is another good one. The "Mr. Soul" snippet intro to "Broken Arrow" by Buffalo Springfield is apparently sung by their drummer, too, and it's so much cooler than the Young-sung recorded version; I wish a full recording of that take was available.

I feel like while the Byrds always had multiple singers and Jim McGuinn as a constant member, they experienced a lot of musical changes depending on who was co-leading with McGuinn. With Gene Clark, you've got that electric folk vibe; with Crosby starting to write more, you've got psychedelia; with Gram Parsons

See, I really liked the episode and I thought that the conflict between Kim's morals and her feelings for Jimmy was masterfully done and a good way to showcase her own acumen, but I still found it hard to believe that she would somehow know that Chuck was right. I mean, on one hand, she knows what Jimmy is like and

Hey, his first four albums are pretty interesting. They have their shares of misses, but they also have some really great, out-there bits of psychedelia and blues.

I saw Cheap Trick a year and a half ago when they played at a free concert in my city's main street. I had also just seen Steely Dan for the first time about a week earlier, and those tickets were pretty expensive and I'm much more of a devotee of Steely Dan's song catalogue, but that free Cheap Trick gig was one of

I loved Morrison's run so much. Partly because the Mozz was capable of telling Batman stories with a variety of tones and without constant ultraviolence. Also, his run had the same high concept that Miller used in TDK: if Batman was a real person and all this stuff happened to him in just one lifetime, how could you

I think that people who appreciate the work only for the moments of badassery (not that there's anything wrong with that - I think TDK is appreciable on the basis of its badass moments) sometimes try to convince themselves that the badass moments ("there's nothing about you I can't fix with my hands!") are somehow

I think that The Dark Knight is probably the most overrated and also the most unfairly reviled comics of all time. A lot of people praise it because they mistake its dark tone for "depth" while others think that it's worthless basically there's a trademark Miller prostitute in the story and because of Miller's