No, we can't have reasonable gun rights, and the reason why is the existence of the organization who created this video.

*the first (tiny) hands

Here's a vote for Jason Isbell's The Nashville Sound.

Just renewed: http://uproxx.com/tv/better…

It pained me to see how low it was. Luckily, pain don't hurt.

Sometimes I stop and think about the fact that there are many people in the world who are dumb enough to be "devout Scientologists" and it just makes my head hurt so badly.

I do feel like Vol 2 is the better overall piece of film-making, but Vol 1 is easily more rewatchable.

Cool read of Basterds, I hadn't really thought about the propaganda angle, though it seems rather obvious now! Despite my misgivings about his overall career arc, there is a lot that I really enjoy about that film. I'll be interested to watch it again now through this lens.

Same here, I don't think I've seen either in full since they were in theaters. Pieces here and there on cable, but I need to sit down and re-visit them both.

Is there a critical or fan consensus of which of the two Kill Bills is preferred? I know the Vol 1 is the more exciting of the two (from an action standpoint, anyway) but man, I love how Vol 2 turns inward on Thurman's character and the emotion of it all.

I really loved the Kill Bills at the time, and I think I still might (need to revisit them in full), but I do think they set Tarantino down this path of making films set in these genre-based hyper realities, or "making movies out of movie tropes" as the article puts it. His first three films strike more of a chord…

"and all it took was a (white male Republican) U.S. Representative getting shot in broad daylight"

I'm just kind of shocked that film writers can still be taken aback that a film franchise was maybe made for reasons other than just pure virtue.

My 4-year-old just got some Legos for a gift for the first time. A couple days later I'm at Target (by myself, btw) and a Lego x-wing ended up in my cart.

Yeah, people can say whatever they want about Cars as a whole, but the sequence where the all the neon comes back on in town is probably the most visually stunning sequence Pixar has produced, which is obviously high praise. That sequence alone justifies the film for me.

Has anyone read "Gene Kelly: A Biography" by Clive Hirschhorn? I was considering reading that before this one.

I agree with your crush point and I'm also a straight male. I'm in the midst of a Kelly marathon now. The first time I saw him was in "The Young Girls of Rochefort" and his beaming mug in his first scene in that just about knocked me on my ass. The guy had serious charisma.

I've seen this sort of thing too. As if Michelle O wasn't classier on her worst day than 99.8% of the population on their best.

I agree so so much with this. I'll bet those assholes cheer every time there's a mass shooting in the country. More fear, more guns, more money. There may not be a group in this country right now I loathe more than the NRA. That's obviously saying something.

I really enjoy the show, but this was the first episode where I found the line readings distracting. His parents are entertaining even as they're wooden, but his cousin was very much not a natural. I mean, not many people are, but it was distracting.