Do you mean the sort of electronic grime / dubstep sounds? I like it actually. A bit of a throwback to the electronic soundscape of The Knick - but I can see how it would be jarring depending on taste.

It wasn't for saving money, it was for saving time - he didn't have to sit in traffic queues… although I suppose time is money after all.

It's fantastic viewing, mesmerising - but I did get intense nightmares after watching it, and for weeks afterwards. Still definitely going to watch the new season (and probably re-watch the older seasons)

Oh I wouldn't call my feelings platonic!

I've been seeing glimpses of Ian McShane in Al Swearengen mode watching Clive in this. Excuse that train wreck of a sentence, it's past my bed time but hopefully my sentiment is clear!

Thanks for the Vulture link, great read

"Another great moment for Mrs. Sears is when she drunkenly reports on the location of the black man who killed her son by way of a small kid. “Damn kid saw her with her own eyes.” The kid’s a boy."

Slings and Arrows sounds like it has potential - I'll give it a chance. There are rumours of her being difficult on set too though. Maybe it's cynicism but this just seems like a poor mix - I hope I'm wrong (if that makes my sentiment any better.)

Plus Rachel McWhatever. We'll always have season one at least.

What a great priest though! Literally helping you to get off a possible murder charge.

Harlequin romance "A" for sure

Pseudoscience tag please; if this is the appropriate place to submit requests.

Yeah, the comments on the True Blood review are generally better than the episode itself. Thank you folks

More importantly, does anyone know if the music used for the end credits is an actual pre-existing song, or composed specifically for the episode?