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I think the turkey jerky is a reference to Lynch's piece "Clay Head with Turkey, Cheese and Ants" http://www.thecityofabsurdi… which he made made in 1991 presumably right around the time season 2 ended. It looked much like the arm and this is why Sarah Palmer started freaking out.

Twin Peaks is entirely made up of subplots. The ones you mention are the only obligatory elements giving an illusion of narrative structure that things overall are headed somewhere significant. However despite their importance, ultimately each have not gotten very far. Hawk, repeatedly having basically the same

I agree it's a gift and that's precisely why I am disappointed by what I see as a loss of valuable overall narrative momentum wasted on a bunch of subplots which tragically is what originally killed TP back in season 2. I feel as if I'm still waiting for something significant to move these characters forward, like

I think Episodes 9-11 have been fundamentally boring. The only interesting thing about Ep11 was the woman mimicking her annoying car horn while the mysterious kid puked. The only interesting thing about Ep10 was Richard Horne beating his grandma while that toy bear kept talking. The only interesting thing about Ep9

I think this clearly was the best episode so far. The sequence using Penderecki's "Threnody to the Victims of Hiroshima" was truly terrifying and the "Gotta light?" woodsman was also quite unsettling. It's so refreshing to see surrealism on TV.

Also, only today are there a generation of SJW millennials now watching TP.
In 1990-91 they probably weren't born yet or were still playing with dolls.

Except for the the stabbing midget scene, I thought this episode was boring. However it certainly was nice to see Harry Dean again. Also, I've begun to notice that I think Eamon Farren somewhat resembles a young Tim Carey.