She didn't. She said she loves Nebraska.

Ehh, I don't know—I feel like we've already got enough for a lifetime, even if it's not playing in grocery stores. I don't really care about mainstream exposure, but more back catalogs and all.

Everyone is taking this so very personally. She's completely right though—sad bastard music has been made since time immemorial and we've got so much of it. I'd much rather have something more forward thinking than something I've heard a million times before.

The image of kids making angry banjo music because it's edgy and uncool makes me gag a little bit.

This is a very different Hype Williams, though.

In an archetypical sense, the fool is the one who winks at the camera and sees through the fourth wall. King Lear being a key example.

Take one look around the weirder corners of bandcamp and this all kind of falls apart.

Someone clearly hasn't listened to Charli XCX, as disposable pop music is maybe the last label I'd slap on her.

Considering the nigh-infinite expanse of existence, calling an afterlife unrealistic seems a little…presumptuous to me. Like, let's not pretend we know enough about the unknowable to scratch our neckbeards and say it's nonsense.

I'm sorry, but do you really think that a family who have fostered one of the most successful media empires in contemporary America are talentless? I get your point, I'm real sick of the Kardashian hating. It just makes people sound like angry bandwagoners.

You can be relaxed and acknowledge something is just a show while still asking questions about its inner workings, you know.

Someone clearly hasn't listened to…any of Danny Brown's three masterpiece records (and one pretty solid debut).

But Atrocity Exhibition was the best hip-hop album of 2016, even considering this monster that just dropped. We need more folks like Danny Brown in the game.

This is simply not true.

For what it's worth, I've put over 100 hours into DS3 and I never noticed any performance issues.

Wait, there are people who didn't think Interstellar was a mess?

Oh. Well I don't care about her apparent hypocrisy as I find her (very curated, sure) brand of intersectional feminism very refreshing. And for all its faults, it's probably the closest the average person is going to get to reading bel hooks, so, that's pretty great too. Sounds like you've got a pretty classist chip…

Could you expand on your dislike of the record? You're the first person I've heard with an overwhelmingly negative take on it.

I disagree. A Seat at the Table was a delightful surprise, but it never hit me the way Lemonade did. That record is just a megaton bomb of fantastic songs. Hold Up, 6 Inch, Sorry, Daddy Lessons, Freedom, Sandcastles, fucking ALL NIGHT? You're a bit in denial if you don't find at least something to love, especially if…

If you take it how 30 Hours tells you to, with everything after Wolves as a set of bonus tracks, it flows wonderfully AND you get some killer singles at the end.