But I don't even OWN a [RANDOM NOUN FROM AN ABOVE POST]!

Spike Lee tweets [NAME OF SOMEONE SEMI-INVOLVED IN THREAD DISCUSSIONS]'s address.

It's funny to think of the similarities though: both Corgan and The Simpsons are shells of their former selves, and are essentially coasting off a legacy they built in the 90s.

I had a pretty memorable moment recently, in which I made Billy Corgan uncomfortable.

Has somebody on the internet made an actual song out of "Banana" yet?

<baleeted>

#McRibletIsBack

I wasn't offended by CK's monologue, but it did feel disjointed, and kind of like "controversy for the sake of controversy" to me. The monologue he did when he hosted last year was absolutely fantastic.

I was pretty lukewarm on MacDonald for over a decade, but his series of tweets detailing the goings on behind the scenes at SNL40 made me genuinely like the guy and look into him more.

D'uuuuuhhh…. I HATE BOLOGNA!
ADSHAODSAIYOASDHPOISANDAPOHDSAPOH!!

dj_iyf, I'm holding iced teas!

These recaps and Todd's write-ups of The Sopranos are the reasons why I started coming to The AV Club to begin with.

I concur with the above statement.

The Barbershop movies, for all their flaws, had one hell of an ensemble cast, and low-key proved that Cedric the Entertainer had potential as a dramatic actor.

Thinking about it- can we cite Fox's treatment of The Simpsons as a blueprint for how Showtime renews their entire library of programming?

Weekend Update's strategy of "dress up Kate McKinnon and have her use a ridiculous accent for five minutes" as a time filler has gotten as stale as the monologue-musical number.

Snoop Dogg will furthermore have to pay up for "Snoop's Upside Ya Head".

He certainly gives Macklemore a run for his money! #MackleLutherKing

Ruby's such a prude and a bitchface.

That's just what Paul Rosenberg drivers when he feels like slumming it.