Panel?

Rule: Unless you are dead in Denver naming your film after a song automatically makes your movie awful.

Good idea. If this is the year of sound design (and it is) this is probably the master work.

I know this is off topic, but thank you. Pollack as director has really only one masterpiece, but as an actor has so many that most real actors should be jealous.

Whatever Works?

You answered your own quandary.

The funny thing is that some (independent) studios have suggested they are making more money then ever. For instance in a recent interview in Germany the heads of Criterion said in the last three years they've seen a massive increase in sales for all new titles.

Not to mention all of the truly great studio product that is a major influence on the present day indie movement. No Ford no a lot of film makers.

And Behind the Candelabra.

No mention of Pain and Gain makes this list invalid. I mean you even had room for that Rob Zombie flick I already forgot about.

http://www.youtube.com/watc…

You're just jealous someone is stealing your thunder.

Crimes and Misdemeanors
Love and Death
Cassandra's Dream
Manhattan Murder Mystery
Husbands and Wives

Cassandra's Dream is also pretty high up there on the great scale and I'd say Midnight in Paris was at the lower end of great.

You should seek out The Magician which is an other exception material type thing.

Certainly I this week. Get it, it's because I have nothing.

How are you measuring uniqueness in this case? Also I think you are overestimating the experimentalism in Noe be leagues. There's nothing in his film that hasn't been done before (even the roving above the city conceit has been done better earlier in a feature by Terence Davies).

To Tiny Furniture's benefit it is not Enter the Void.

The original is pretty mediocre.

@avclub-9b60cf1b2106f886f17cba2b1a0359b9:disqus Cruise had tons of chemistry with Jaime Foxx.