The Hammond Song, with that lyrical Fripp solo.

Heart was on the list, which is good. And the Runaways.

The Singer is her most "accessible". It's actually my favorite, in that you get her gift for emotional interpretation, her amazing range (including those wild operatic Yma Sumac notes), and the harrowing avant-screaming stuff, all fused beautifully together.

Oh, it's just a matter of time, really.

"I don't want to condescend—which means "to talk down to'…"

Top 5 AC serial numbers thread:

—Rustin Cohle

K-Tel presents The Best Of Tron Guy!

Figure of speech.

Past-o-Rama!!!

(Pauses, puts down copy of A Modest Proposal, stares at tender meaty morsel on fork.)

I was going to scapegoat Adam Sandler, who can only defend himself with pre-linguistic gibbers and hoots.

Here's what might be overlooked. (Or was already addressed in the 1000+ comments.)

The funny thing is, your excellent point about adolescence has been completely missed by most teens since 2005 or so.

Rhyme while there's still time?

Nice guy. I wonder whatever happened to him.

Oh, certainly. I'm just skeptical that a line can be drawn between South Park and the 2010s zeitgeist.

There is inherent risk in breaking new ground. If you work long enough, the successful comedic template you pioneered can become a stylistic straightjacket, and the inspiration for many mediocre imitators.

The defining trait of these times is a belief that being rational is for losers.

See, I think the Democrats have a better grasp on what good ideas are, but they really do fail to connect with a sufficient number of voters.