Understanding Object Permanance can be hard for some toddlers.
Understanding Object Permanance can be hard for some toddlers.
I think it's only proper to go out with a wall
OF COCK!
I was a dick to someone in the What Would Diplo Do? review posted last week. I had forgotten this is an international commentariate and not everyone is constantly bombarded with American entertainment.
To Gweskoyen, I apologize.
They're pretty much the best thing to come from the pop-punk emo revival.
The man has been active in the music business since the late 90s and has had a prolific career as a producer.
Good for you.
You know his music though.
“Tyler, Skyler, Kyler, get over here you guys!”
Obviously you haven't seen the state of their parks. That is CLEARLY their thought on the matter.
I'm sick of the way you don't appreciate Brand New!
He will forever be Moosh to me, the glue.
I read the same thing or something similar. There were some drug jokes that got cut from the film too. I remember reading that the script started with smoke billowing from the Mystery Machine, Shaggy saying "toasted", and cut to the interior, he and Scooby are grilling hot dogs on a hibatchi.
I can't be the only one who does not like Dust and Ashes, right? It's not great. It's long and goes nowhere and Pierre already has an "I want" song at the start of the show. It's Great Comet's 'Marry Me A Little' but not as good.
The only thing Great Comet was missing was a section that showed off the electronic parts of the score. I would've traded that snippet of Dust and Ashes at the beginning for Natasha and Anatole seeing as Denee Benton didn't have anything to do and Groban also had the final part in The Abduction.
I'm now 70% convinced that that is how it will play out.
He was dabbing at the goodbyes.
"Laura! Do you even know what HIV is?"
That's pretty much standard
Wasn't that Chapelle's Show? The sketch with Rashida Jones.
Cee Lo Green
Will any network ever do Oliver!? That seems like a no-brainer. It's well known enough but not overdone (lately), it's got opportunities for actors of various age-ranges and genders, a great score, and balances perfectly between feel-good-classic and dark-edgy-risk.