I cringed at the mention of his name. 'Hey, who can we use to hit home that this is a really important book party?'

Alison definitely has some kind of victim complex, which isn't necessarily her fault but her own memories certainly paint her as downtrodden far more than everyone else's perception of her. It gets a bit exhausting spending half an episode through her eyes because she's so relentlessly passive.

It's so *dense*, every single frame has so much going on…

I know some people can't stand them, but I think the RLM takedowns are a genuinely brilliant dissection. They articulate issues I didn't even realize I had with the films, and highlight how grossly off the mark Lucas was in even the most basic tenets of storytelling. It's shocking how many yes-men it took to not stand…

Oh AV Club, not you too. Defending the prequels has become a very specific and increasingly cynical form of comment baiting in the last few years, but it's pointless.

Valentine disliked a conversation I had with a shopkeeper in which I defended synths… even though he's a synth himself. I've kind of given up guessing what pleases him apart from random sarcasm.

Yup, hate the dialogue tree. I shouldn't have to be worried at what each option will actually say when I choose it.

It was during a mission where you use the dog to track someone down. Once we'd reached our destination, my other companion presumptuously said "I think Dogmeat's earned a break"… at which point he fucked off forever! I'm told he can randomly show up at any given settlement, but no sign yet.

This is my first Fallout game, though I have played Skyrim.

You expect this sort of vanity project from Jolie, but it's weird that Pitt didn't know better and/or just say no.

Yeah, really odd/dumb choice to separate Carrie and Quinn. Hell, it's cheaper to film when actors are in the same scenes!

I wrote 'accidentally' to highlight how he didn't initially intend to kill the guy and wanted to walk away, but obviously whatever he did was intentional in the heat of the moment.

Another episode in which a lot seemed to happen without much at all really happening. Saul had a change of heart, gave the docs to Carrie, and that's about it.

It must be a Bethesda thing. Skyrim's visuals certainly weren't the reason I loved it.

As someone who bought a PS4 before realizing there were hardly any games available that I wanted to play, Fallout 4 has been a long time coming. Pity the graphics look so last generation (why is that?) but at this point it feels like a nitpick.

I rolled my eyes as soon as that scene started because I knew the accusations would fly on here. There is a line, though admittedly a blurred one on occasion, between unplanned rough sex and rape. In my opinion the moment stayed on the former side.

It's definitely a pop album through and through, but for someone like me who could take or leave her dirtier sound this is just feels like a logical and satisfying conclusion. It's an assured work.

This is one of those rare albums where I enjoy the production more than the songwriting. The whole thing sounds very easy on the ears.

I haven't. Am I a decade late in making that joke?

He's just biding his time until they make a gritty, live-action Elmer Fudd movie (Bugs Bunny was the bad guy all along).