Those four additional names tipped it over the edge.

I know you think cooking eggs for someone and trapping them in your shared superhero playhouse means that person loves you, but it just doesn't, Riley. It just does not.

Please halp. Shabba-doo!

The end when she lands in his world and will need to be taught everything about spaghetti and cable tv and human reproduction falls in line with the trope though.

Wow at least your self-awareness of how awful you are adds a certain rakish charm.

Just as long as it has a cup-hold-er arm-rest.

To me, that sort of chiding comes across as self-awareness for the fact that most litigants are successful childless couples who rent, as well as jealousy in the guise of teasing, that sort of "I ruined my life by having kids so everyone else should too."

I like Gourley a lot too. It's just that the guests have kind of been lackluster; instead of people who had a small role in big scenes it feels like it's moving towards people who had regular roles in big movies.

Huh. I feel like we enjoy the same thing about that show! The appeal is totally the laid-back loafing in the face of the epic and fantastical. Which is maybe why I get frustrated when there's less of the epic and fantastical.

Ah, I don't have cable but could see myself stopping the dial on them if I did. I will forever miss the curated/forced nature of broadcast tv; I feel like I watch the same few shows and movies when they're all at my fingertips.

I think In Rainbows is Radiohead at their Radioheadiest; it's the one that feels the most like them having found their groove and settling right into it.

Worth every penny. Both of them.

Good counterpoint. Ant-Man was very charming, which makes it something out an outlier.

There's nothing wrong with a "just fine" movie. It just baffles me that there's such a strong fanbase for the MCU when I've never felt compelled to watch any of those movies a second time.

If there's anything Gareth Edwards likes it's having the main character pull a crying child out of peril's way.

I just liked how the characters interacted in TFO better than RO. There were long stretches of conversation in RO that I'd realize I'd completely tuned out everything being said.

I'd probably start listening to Todd Glass again if the episodes were closer to an hour long.

I guess it's frustrating that the show's made plays at plot development as they ramped up towards embarking on the quest to defeat the Dark Lord. And even when that was curtailed by the Dark Lord taking over Hogsface I thought "oh, that's still a development," until the Dark Lord literally forced them to do the same…

Oh, and I forgot to add Welcome to Night Vale to the list because I turned my back on it so hard for (ironically enough) over-catering to its fanbase.

I haven't listened in years; how's it been recently?