I sometimes lament how much the internet has changed since the late 90s and early 00s, but comments like this harken back to those days, and they are best forgotten.

My personal anime gateways were Saturday Morning Anime on the Sci-Fi Channel and some sort of special Thursday night anime block on some weird basic-cable movie network. The former hooked me with Galaxy Express 999, the latter had Macross Plus. Regarding this episode of Sailor Moon…I remember 11-year-old me calling my…

It's an imageboard that is the coalesced, unadulterated id of every young adult to every touch a keyboard. As far as this perspective goes, the best I can figure is that there's a glut of people on tumblr and other places that are using feminist theory cliff notes translated from Aramaic who've been making quite a lot…

People that hold that worldview are frustrated with being the Other, yet unironically try to Other the entrenched social power groups. Since the people I encounter like this exist solely on the internet, I assume they just gazed into the abyss of 4chan or whatever and went insane.

I don't think that's necessarily the vein that this article is shooting for. Or the reality, for that matter. In various flavors of the feminist worldview, men have an advantage when it comes to speaking up and being heard, therefore it's incumbent upon them to use their social clout to champion issues for women. …

Obviously, The Drew Carey Show has nine seasons of equal-opportunity fat commentary for both genders. I think. Check it out. Also, this comment reads like "B-b-b-but what about the men? Can we talk about MEN for a second?"

Given how Dany's occupation turns into an Iraqi-esque quagmire (although the American civil war is a more fitting parallel), it could be a seed they're planting to make the future Meereen story more compelling.

Interesting that you focused on the directing, as I was more interested in the editing choices that they made. There were a lot of vertical fades going on between scenes, and it seemed to keep the various cogs in the Joffrey-death aftermath in a much tighter continuity than I think I'm used to in this show.
I'm also…

I dunno. They're brutal, savage, and very improvisational looking, kinda fits the Westeros M.O. And for the most part, a lot easier to follow than the chop-editted action we've grown accustomed to over the last ten years.

I'm guessing that in their point of view, drawing attention to the unorthodox possibilities is correcting the "error" of ignoring them.