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tvgirl48
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I thought it was an interesting contrast for the episode - Elizabeth obeying her superiors against every moral objection in going forward with the Don operation, while Stan refuses to blackmail or go further with Oleg because of personal objections. I think it would be great if (as another commenter suggests) the Don

"…at night, in bed, when I can't sleep…"

Especially since isn't he the only one now who has seen Elizabeth's face as a Russian agent? I always thought it would come back around to Gaad having encountered her, but Aderholt was there too. Sure, Elizabeth recognized that Stan's new buddy Aderholt was the other FBI agent involved a few episodes ago, but for all

The joke itself is even older, though. It really threw me when I saw William Powell do it in one of the "Thin Man" sequels from 1936.

Ugh, that reminds of "How I Met Your Mother" where none of the women knew anything about Star Wars. Apparently a chick is super unique if she simply knows what a stormtrooper is.

I could believe it considering they set her up as being incredibly lonely, not just craving old dudes, so the mere interaction is enough

As a huge fan of Hey Arnold, I placed it immediately and found it really distracting. Particularly since I haven't heard her incredibly distinctive voice in anything else until now.

I love Ray and hate that they underused him in so many episodes by paralyzing him over and over again.

It makes me think a lot about how we grade movies. Are the Marvel movies great movies, period? No. Are they great at what they set out to be? Absolutely.

The Avengers is the one that made me finally throw my hands up and admit that I couldn't do it anymore. Everyone else on earth was worshiping this movie and I thought I must be crazy for disliking it. I watched it a second time just in case I was in a bad mood or something the first time. Boring cinematography, boring

Well, yeah, doesn't someone make a crack to Toschi outside the theater and he responds with something along the lines of how it must be easy to solve a case when you ignore due process? Man, that's such a great film.

Chekhov's Gun went unused, Chekhov's Valium went unused. I'm basically convinced that the very last scene of the show will be Poor Martha sitting in her Moscow apartment alone but alive…reading Chekhov.

I definitely expected her to say something that indicated Martha was a goner but luckily her important bioweapon delivery was a success! But the second Tatiana said "my brother," I immediately suspected she was playing Oleg in some way. She's been so removed from everyone else but she's clearly brilliant and

"You be very careful out there today - we're at terror alert orange, which means something might go down somewhere in some way at some point in time so LOOK SHARP!"

I can't imagine how wonderful it would be to see The Third Man on the big screen. It's not just a classic cinematic experience, it's viewing a piece of history in that you're seeing that slice of Vienna in a very specific period of time. It's one of my favorite parts of seeing older movies - the fact that it's art and

"weird performance art band"? That kinda sells them short, but yeah, I'm surprised no one else mentioned it, but I frickin' love Oingo Boingo and am therefore biased so I figured I wouldn't be the one to bring it up. I was hoping the rest of the clown names would be references to something (although as obscure as

I assumed the FBI was still trying to locate Martha when Elizabeth showed up and hurried her back to the safe house. Still, I agree it felt like a line or scene was missing explaining why Stan's stakeout was suddenly over.

Of all the sad-sacks to feel sorry for, oddly enough my heart ached most for Matthew in this episode. Surprise, you've been replaced!

And I absolutely love that the show hasn't spelled that out at all for us, but just trusts that we know those scenes aren't completely pointless. It saves time when you trust the viewer to get information from context and avoids needlessly clunky, expository dialogue.

I could be completely off, but I didn't see it as Stan being suspicious (although he's always been suspicious of the Jennings), I saw it as Stan being concerned. He's getting close to Henry and hears that Henry doesn't open up to his own father because Philip is always working, so Stan thinks maybe he should check on