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tvgirl48
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Ha, my parents covered my eyes while they fast-forwarded through the sex scene. Years later, I can't think of a better example of American puritanism - don't look at the naked people, but enjoy two hours of people dying slow, terrifying, agonizing deaths. I haven't watched Titanic in years but so many shots and

I always thought they had fantastic chemistry and he was the best verbal sparring partner for Lorelei. And he wasn't a whiny, weak-willed douchebag like Christopher. Oh, and he had one of my favorite lines ever - "I thought we'd say we're having repeated sexual encounters out of wedlock continuously as Catholic

That would have been more interesting. She was so upset about not getting that New York Times fellowship, but she hadn't done anything to deserve it. She worked her ass off in high school and then just let her personal stuff take over in college.

Yes! At least in You've Got Mail, Kathleen's surliness is understandable given her life's work and deeply personal business is going under. In the original, Margaret Sullivan is just a major bitch because she read that that would entice men. I liked a lot of other stuff about that movie, but not the parts where a

And Lloyd even asks her if she needs him or just needs someone, then decides he doesn't care and just wants to be with her.

Kathleen Kelly and Joe Fox from You've Got Mail. If it hadn't been Fox Books, some other big book store would've killed The Shop Around the Corner. The movie shows Kathleen and Joe falling in love where each of them are being honest about who they are. They share a love of literature, they are two mature and stable

Part of what made it so ridiculous is that somehow Robin is still single and available for Ted after all that time. The show made her a confident, independent, traveling, childfree woman, but the finale said "nope, all that gallivanting won't appeal to men and no one wants a woman who doesn't want kids." See: the

I always thought she was saying "birdseed"

I would kill to hear a live performance of "When the Lights Go Out." I don't care that it's off a later album, that song would be amazing in a big venue. If it's segued into from "No One Lives Forever," all the better.

Specifically, I'd want to be at one of the shows where David Ruffin crashed the performance and took over lead vocals on his classic songs. Talk about "I know you wanna leave me/but I refuse to let you go"

I always wonder this when I watch Dr Strangelove. Fail-Safe would've terrified me too, but watching Strangelove makes me feel like I know what it's like to slowly go insane. The whole "you're going to have to answer to the Coca Cola company" part seems more appropriate to real life - terror mixed with absurdity, the

It's the same as the ol' vegan joke. People who carry let you know they carry and just you try to start something with them because they carry, didn't you hear?

Yeah, Philip noted that he hoped he shook whatever feeling that guy had. Between that and Stan getting the hockey player courier to turn, I'm hoping all these little things add up to a deluge of shit next season.

Except for when sunlight bounces off of them and mimics a missile launch

I actually really loved the scene between Tuan and Pasha. They were both great and I enjoyed the continuing contrast of Tuan attempting to be hard and Tuan wanting to be normal. Tuan doubles down on the whole 'bourgeois' thing because he was genuinely freaked by the reality of Pasha slitting his wrists, at his

Personally, I would have preferred more Ray instead.

I agree. Archer itself decided to be a different show when it tried out this noir thing. It wasn't like Archer Vice or the Figgis Agency stuff since they were still the same characters in those seasons. If you're going to mix it up, mix it up, but at least put some thought into it. This season was so much wasted,

Which is so frustrating because how hard is it to make a coherent story for an 8 episode season of a half-hour show?

One of the lines from this show that sticks with me the most is Oleg's "I can't just call up Andropov and say 'stop!'" He clearly cares about his work and peace in general. I always get the feeling that Elizabeth rationalizes peace in favor of the USSR, but Oleg seems to argue in favor of justice over purely country

I'm really hoping it's more of a Poor Martha scenario where his storyline has this building sense of agonizing foreboding that ultimately subverts our expectations and doesn't lead to tragedy. This show could excel in the Chekhov's Gun that never goes off. Or maybe that's just my desperation that Oleg doesn't meet an